Lucy Vickery

In Competition No. 3124 you were invited to compose clerihews about any date in the calendar. I was very grateful recently to eagle-eyed John O’Byrne, who drew my attention to the fact that the closing date for Competition No. 3125 was not 20 November, as printed in the magazine, but 13 November. Even better, he

In Competition No. 3123 you were invited to submit a poem that begins ‘By Waterloo Station I sat down and …’.   Some of you begged, some swore, others slept. But most, in a pleasingly sizable entry, took their lead from weeping Elizabeth Smart. There was a welcome influx of newcomers this week, alongside the

In Competition No. 3122, to mark the demise of the 178-year-old travel company, you were invited to submit a poem about Thomas Cook. The firm may have hit the buffers, but many entries featured its eponymous founder’s original offering — railway travel and Temperance tours — which would be just the job in our clean-living,

In Competition No. 3121 you were invited to submit a song entitled ‘50 Ways to Leave the White House’.   While the brief steered you in the direction of Paul Simon’s 1975 hit (the inspiration for whose distinctive chorus was a rhyming game played with his infant son), I didn’t specify that you had to

In Competition No. 3120 you were invited to submit a poem reflecting on the Apollo 11 moon landing written in the style of the poet of your choice.   Cath Nichols’s enjoyable entry looked back on the lot of the Apollo wives through Wendy Cope’s acerbic eye. Nick MacKinnon was also an accomplished Cope impersonator:

In Competition No. 3119 you were invited to submit a poem about yellowhammers. This sparrow-sized songbird has inspired poetry from John Clare’s lovely ‘The Yellowhammer’s Nest’ to Robert Burns’s unlovely ‘The Yellow, Yellow Yorlin’ (‘But I took her by the waist, an’ laid her down in haste/, For a’ her squakin’ an’ squalin…’) You took

In Competition No. 3118, which was inspired by Joan Didion’s wonderful essay of that title, you were invited to submit a short story whose last line is ‘I can’t get that monster out of my mind’. Another notable American female essayist, Susan Sontag, has come in for a bit of stick in these pages over

In Competition No. 3117 you were invited to recast a famous political speech as a sonnet.   Lots of you went for Elizabeth I’s address to the troops at Tilbury, but James Aske got there first in 1588, with a verse reworking  that appeared in Elizabetha Triumphans, his celebration of the Armada victory.   Well

In Competition No. 3116 you were invited to submit an extract from a government memo whose language would meet with the approval of Jacob Rees-Mogg. The Leader of the House recently sent his departmental staff a list of rules regarding grammar and vocabulary. The words ‘ongoing’ and ‘hopefully’ are out; imperial measurements are in. All

In Competition No. 3115 you were invited to submit a fable for the 21st century, complete with moral. James Michie, my predecessor in the judge’s seat, was a celebrated translator of fables and if you were looking for inspiration, and don’t speak French, his 1973 rendering of a selection by La Fontaine were described by