To mark the beginning of Wimbledon, competitors were invited to take as their first line ‘There’s a breathless hush on the centre court’ and continue for up to 15 lines in the style of Sir Henry Newbolt’s 1897 poem ‘Vitaï Lampada’. Newbolt’s poem (which he came to resent, describing it as a ‘Frankenstein’s monster) draws
In Competition No. 2904 you were invited to take as your first line ‘There’s a breathless hush on the centre court’ and continue for up to 15 lines in the style of Sir Henry Newbolt’s poem ‘Vitaï Lampada’. There is just space to congratulate the winners and to commiserate with unlucky losers John Whitworth, who
A spoof Farrow & Ball paint-colour chart doing the rounds on social media was the inspiration for the latest challenge. Competitors were invited to see if they could outdo the rather unappealing likes of ‘economy mince’, ‘provoked wasp’, ‘magnum of Tizer’ and ‘day at Thorpe Park’ by submitting an article from an interiors magazine featuring
In Competition No. 2903 you were invited to provide an extract from an article in an interiors magazine featuring some paint-colour names of your own invention that rival the ludicrousness of the real-life likes of ‘potentially purple’, ‘salty tear’ and ‘likeable sand’. High points in a patchy entry were Adrian Fry’s ‘Dresden licht’, John O’Byrne’s
In Competition No. 2903 you were invited to supply a poem incorporating a dozen cricketing terms. English poets love cricket: Housman, Betjeman, Chesterton and Sassoon all wrote about the game. And then, of course, there is Harold Pinter, who encapsulated it so beautifully in two lines: I saw Len Hutton in his prime, Another time,
In Competition No. 2903 you were invited to supply a poem incorporating a dozen cricketing terms. English poets love cricket: Housman, Betjeman, Chesterton and Sassoon all wrote about the game. And then, of course, there is Harold Pinter, who encapsulated it so beautifully in two lines: I saw Len Hutton in his prime, Another time,
The latest comp was inspired by Stephen Spender’s notorious poem ‘The Pylons’, which he likens to ‘nude giant girls that have no secret’. Spender wasn’t praising pylons on aesthetic grounds in his notorious poem, but celebrating the progress that these non-human structures embody: ‘There runs the quick perspective of the future’. The spirit of the
In Competition No. 2901 you were invited to write a poem in praise of a modern-day blot on the landscape. Stephen Spender wasn’t praising pylons on aesthetic grounds in his notorious poem but celebrating the progress that these non-human structures embody: ‘There runs the quick/perspective of the future’. The spirit of the 1930s poets —
The American writer Richard Brautigan fulfilled his ambition to end a short story with the word ‘mayonnaise’ in his 1967 novel Trout Fishing in America. Actually, strictly speaking, he didn’t. As an eagle-eyed friend pointed out to me, the word appears, in most editions at least, as ‘mayonaise’, a deliberate misspelling on Brautigan’s part. But
In Competition No. 2900 you were invited to write a short story that ends on a condiment of your choice. The germ of this comp was the writer Richard Brautigan’s wish to end a short story with the word ‘mayonnaise’, an ambition he fulfilled in his 1967 novel Trout Fishing in America. Actually, strictly speaking,
The poet laureate Carol Ann Duffy’s failure to pen a poem commemorating the birth of Princess Charlotte of Cambridge prompted us to invite you to do it instead. You stepped into the breach with gusto: sonnets, odes and haikus poured in. The entry was diverse, full of charm and a pleasure to judge. I was
In Competition No. 2899 you were invited to write a poem commemorating the birth of Princess Charlotte of Cambridge. The impetus for this comp was Carol Ann Duffy’s failure to deliver the goods. This made some people very cross, but as the official website of the British Monarchy makes clear, modern laureates are under no
The call for an update on one of the children in Cautionary Tales who lived to tell the tale attracted a large and excellent entry. Belloc’s gallery of kiddie delinquents suffered particularly unpleasant comeuppances — being eaten, feet upwards, by a lion, and so on. Of those who did escape with their lives, weepy Lord
In Competition No. 2898 you were invited to give an update on one of the children in Cautionary Tales who lived to tell the tale. Belloc’s gallery of kiddie delinquents suffered particularly unpleasant comeuppances — being eaten, feet upwards, by a lion, and so on. Of those who did escape with their lives, weepy Lord
Inspiration for the latest comp came from a young Hunter S. Thompson’s characteristically unorthodox pitch for a position at the Vancouver Sun. An unflattering portrait of his relationship with a previous employer — ‘The man despised me, of course, and I had nothing but contempt for him’ — is followed by an attack on journalists
In Competition No. 2897 you were asked for a job application by a well-known writer, living or dead. Inspiration for this comp came from a young Hunter S. Thompson’s characteristically unorthodox pitch for a position at the Vancouver Sun. An unflattering portrait of his relationship with a previous employer — ‘The man despised me, of
In a 1985 interview with the New Republic, Mario Cuomo famously said that politicians campaign in poetry and govern in prose. Last week, we asked competitors to put their own twist on Kipling’s rousing poem. The winners are below IF – For Nicola (by Brian Murdoch) If you can lose a referendum and still act
In Competition No. 2896 you were invited to take Kipling’s ‘If’ and recast it on behalf of a politician on the campaign trail. In an interview with the New Republic in 1985, Mario Cuomo said that politicians campaign in poetry and govern in prose. And Hugo Rifkind, in conversation on Radio 4 with the poet
The title of a poem by Anthony Brode, ‘Breakfast with Gerard Manley Hopkins’, prompted me to invite verse submissions describing a meal with a well-known poet. Sylvia Fairley tucked, somewhat reluctantly, into albatross with Coleridge, D.A. Prince shared cocoa with Wendy Cope and Rob Stuart enjoyed a curry with Dante. Honourable mentions go to John
In Competition No. 2895 you were invited to submit a poem describing a meal with a well-known poet. Sylvia Fairley tucked, somewhat reluctantly, into albatross with Coleridge, D.A. Prince shared cocoa with Wendy Cope and Rob Stuart enjoyed a curry with Dante. Well done, all: it was a top-notch entry. The winners take £25. Frank