The most recent competition invited you to incorporate the following seven words (real geological terms) into a piece of plausible and entertaining prose so that they acquire a new meaning in the context of your narrative: corallian, permian, lias, kimmeridge, oolite, cornbrash, ampthill. The inspiration for this challenge came from a bit in Robert Macfarlane’s
In Competition No. 2853 you were asked to incorporate the following words (they are real geological terms) into a piece of plausible and entertaining prose so that they acquire a new meaning in the context of your narrative: Corallian, Permian, Lias, Kimmeridge, Oolite, Cornbrash, Ampthill. The inspiration for this comp came from a bit in
Competitors rose admirably to the recent challenge to step into the shoes of a well-known writer and submit a poem or piece of prose in praise or defence of something unexpected. It was nice to glimpse a lighter side of Leonard Cohen courtesy of Martin Parker’s twist on ‘Bird on a Wire’, and Alanna Blake
In Competition No. 2852 you were invited to step into the shoes of a well-known writer of your choice and submit a poem or piece of prose in praise or defence of something you would not expect them to champion. You were on top form this week. Martin Parker reveals a lighter side of Leonard
In Competition No. 2851 you were invited to mark Jeremy Paxman’s departure from Newsnight by supplying an extract from an interview with a politician or statesman in which the interviewer doggedly but unsuccessfully attempts to get a straight answer to a straight question. Even if you didn’t specify Paxo as your questioner, I was looking
In Competition No. 2851 you were invited to mark Jeremy Paxman’s departure from Newsnight by supplying an extract from an interview with a politician or statesman in which the interviewer doggedly but unsuccessfully attempts to get a straight answer to a straight question. There’s space only to announce that the winners take £30 and W.J. Webster
The latest call, for proverbs that sound profound but have no meaning, attracted an enormous entry. It was a pleasure to judge, and cheering, too, to see lots of unfamiliar names in among the regulars. The best entries contain just the promise of a profound meaning — but frustrate the reader’s attempt to work out
In Competition No. 2850 you were invited to invent proverbs that sound profound but have no meaning. This was an extremely popular competition, which attracted an enormous entry. It was a pleasure to judge, and cheering, too, to see lots of unfamiliar names in among the regulars. The best entries contain just the promise of
The latest challenge, to supply a poem in praise or dispraise of the BBC, fell on somewhat stony ground. The entry felt a bit flat and you seemed to be lacking any real conviction either way. Roger Theobald’s opening lines pretty much reflected the general mood: ‘To praise or dispraise: well, if that’s the question,/
Eighty-seven Hackford Road, SW9, is unremarkable but for a blue plaque telling the world that Vincent van Gogh once lived there. The building has been empty since 2012 but now the Dutch artist Saskia Olde Wolbers has filled it with voices. ‘Yes, these Eyes are the Windows’ (until 22 June) is an Artangel-commissioned installation that
In Competition No. 2849 you were invited to submit a poem in praise or dispraise of the BBC. The entry felt a bit flat this week and you seemed to be lacking in any real conviction either way. Roger Theobald’s opening lines pretty much reflected the general mood: ‘To praise or dispraise: well, if that’s
The latest challenge to competitors was to submit a poem commenting on Scottish independence in the style of William Topaz McGonagall, the poet hailed by the TLS as ‘the only truly memorable bad poet in our language’. The deluded handloom weaver from Dundee built his reputation on appalling yet beguiling works of inadvertent comic genius.
In Competition No. 2848 you were invited to submit a poem commenting on Scottish independence in the style of William Topaz McGonagall. McGonagallesque long lines leave me space only to congratulate you on a vast and skilful entry before handing over to the man himself, hailed by the TLS as ‘the only truly memorable bad
The latest competition, in which you were invited to compose a poem celebrating a famous duo, produced a colourful cast of pairings. Ray Kelley sang the praises of Flanders and Swann: ‘Never was there a sweeter fit/ of wit to melody, melody to wit’. Brian Allgar proposed a toast to that gruesome twosome Burke and
In Competition No. 2847 you were invited to submit a poem celebrating a famous duo. You wheeled out a colourful cast of pairings. Ray Kelley sang the praises of Flanders and Swann: ‘Never was there a sweeter fit/ of wit to melody, melody to wit’. Brian Allgar proposed a toast to that gruesome twosome Burke
A tweet linking to George Orwell’s famous rules for writing (‘Never use a long word where a short one will do’, etc.) prompted me to invite competitors to come up with the six rules of a well-known author of their choice. Honourable mentions go to Hugh King, whose Revd W.A. Spooner urges writers to ‘be
In Competition No. 2846 you were invited to invent the six rules for writing of a well-known author of your choice. Honourable mentions go to Hugh King, whose Revd W.A. Spooner urges writers to ‘be sure to merge all pisstakes’, and to J. Seery, who reckons Hemingway’s sixth rule would be: ‘It is you or the
Martin Amis compared Cervantes’ Don Quixote to ‘an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies’, while Kathryn Schulz, book critic for New York magazine, poured scorn on The Great Gatsby, describing it as ‘aesthetically overrated, psychologically vacant, and morally complacent’. Cult contemporary bestsellers
Organised atheism is on the rise and this prompted John Whitworth to make the excellent suggestion that I challenge competitors to come up with a hymn for atheists. Hymns do not feature at all at The Sunday Assembly, an atheist Church founded last year in London. Instead the congregation sings along, in evangelical style, to
In Competition No. 2845 you were invited to provide a hymn for atheists. This excellent, and topical, competition was suggested by John Whitworth, in response to the growth of organised atheism. Hymns do not feature at all at the Sunday Assembly, an atheist church founded last year in London. Instead the congregation sings along, in