Eighty-seven Hackford Road, SW9, is unremarkable but for a blue plaque telling the world that Vincent van Gogh once lived there. The building has been empty since 2012 but now the Dutch artist Saskia Olde Wolbers has filled it with voices. ‘Yes, these Eyes are the Windows’ (until 22 June) is an Artangel-commissioned installation that
In Competition No. 2849 you were invited to submit a poem in praise or dispraise of the BBC. The entry felt a bit flat this week and you seemed to be lacking in any real conviction either way. Roger Theobald’s opening lines pretty much reflected the general mood: ‘To praise or dispraise: well, if that’s
The latest challenge to competitors was to submit a poem commenting on Scottish independence in the style of William Topaz McGonagall, the poet hailed by the TLS as ‘the only truly memorable bad poet in our language’. The deluded handloom weaver from Dundee built his reputation on appalling yet beguiling works of inadvertent comic genius.
In Competition No. 2848 you were invited to submit a poem commenting on Scottish independence in the style of William Topaz McGonagall. McGonagallesque long lines leave me space only to congratulate you on a vast and skilful entry before handing over to the man himself, hailed by the TLS as ‘the only truly memorable bad
The latest competition, in which you were invited to compose a poem celebrating a famous duo, produced a colourful cast of pairings. Ray Kelley sang the praises of Flanders and Swann: ‘Never was there a sweeter fit/ of wit to melody, melody to wit’. Brian Allgar proposed a toast to that gruesome twosome Burke and
In Competition No. 2847 you were invited to submit a poem celebrating a famous duo. You wheeled out a colourful cast of pairings. Ray Kelley sang the praises of Flanders and Swann: ‘Never was there a sweeter fit/ of wit to melody, melody to wit’. Brian Allgar proposed a toast to that gruesome twosome Burke
A tweet linking to George Orwell’s famous rules for writing (‘Never use a long word where a short one will do’, etc.) prompted me to invite competitors to come up with the six rules of a well-known author of their choice. Honourable mentions go to Hugh King, whose Revd W.A. Spooner urges writers to ‘be
In Competition No. 2846 you were invited to invent the six rules for writing of a well-known author of your choice. Honourable mentions go to Hugh King, whose Revd W.A. Spooner urges writers to ‘be sure to merge all pisstakes’, and to J. Seery, who reckons Hemingway’s sixth rule would be: ‘It is you or the
Martin Amis compared Cervantes’ Don Quixote to ‘an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies’, while Kathryn Schulz, book critic for New York magazine, poured scorn on The Great Gatsby, describing it as ‘aesthetically overrated, psychologically vacant, and morally complacent’. Cult contemporary bestsellers
Organised atheism is on the rise and this prompted John Whitworth to make the excellent suggestion that I challenge competitors to come up with a hymn for atheists. Hymns do not feature at all at The Sunday Assembly, an atheist Church founded last year in London. Instead the congregation sings along, in evangelical style, to
In Competition No. 2845 you were invited to provide a hymn for atheists. This excellent, and topical, competition was suggested by John Whitworth, in response to the growth of organised atheism. Hymns do not feature at all at the Sunday Assembly, an atheist church founded last year in London. Instead the congregation sings along, in
My cache of conversational titbits has been considerably boosted by the most recent challenge that I threw down to Spectator readers. I asked for an extract from either a gripping thriller or a bodice-ripping romance containing half a dozen pieces of inconsequential information, and I now know that Zanzibar is the world’s largest clove producer,
In Competition No. 2844 you were invited to provide an extract from either a gripping thriller or a bodice-ripping romance containing half a dozen pieces of inconsequential information. I can now add the fact that Zanzibar is the world’s largest clove producer, and that 99 per cent of Estonians have blue eyes, to my cache
The most recent challenge, to incorporate a list of poets’ surnames — motion, bridges, wilde, gray, cope, hood, burns and browning — into a poem or piece of prose, presented ample opportunity for showing off. My invitation to cram in extra names of your choosing was taken up with gusto and the award for Class
In Competition No. 2843 you were given a list of poets’ surnames — motion, bridges, wilde, gray, cope, hood, burns and browning — and asked to incorporate them into a poem or piece of prose. I gave you scope for showing off by inviting you to cram in extra names should you choose to. The
The recent challenge to compose the most off-putting book blurb imaginable elicited an avalanche of entries. This was one of those competitions that is both a pleasure and a pain to judge: a delight to read through but devilishly difficult to whittle down to just half a dozen winners. Virginia Price Evans’s entry was a
In Competition 2842 you were invited to compose the most off-putting book blurb that you could muster. There’s just space to say that I don’t think I’ll be rushing out to buy Jonathan Friday’s ‘groundbreaking exploration of the neglected beauty of bodily fluids and excreta’, which features ‘a striking array of scratch’n’sniff imagery’. G.M. Davis,
William Congreve wrote, in the Epistle Dedicatory to his 1693 comedy The Double-Dealer, that it is the business of a comic poet to paint the vice and follies of humankind — so I thought I would give you the opportunity to do just that. The task I set in the most recent competition was to
Visitors to Chatsworth House this spring might wonder if they have stumbled through the looking-glass. The estate’s rolling parkland has been invaded by an army of vibrantly coloured, outsized garden tools, whose outlines seem to hover, mirage-like, over the landscape. These painted-steel 2D ‘sculptures of drawings’ are the brainchildren of the conceptual artist Michael Craig-Martin.
In Competition 2841 you were invited to paint an amusing portrait in verse of the vice and folly of humankind. It was William Congreve who wrote that it is the business of a comic poet to paint the vice and follies of humankind, and I thought I would give you the opportunity to do just