Marcus Berkmann

Marcus Berkmann’s Berkmann’s Pop Miscellany is out in June.

Addicted to Vole

Earworm: what a wonderful word. It describes, as nothing else quite can, the effect a really invasive melody can have on your consciousness. Hear the song once and you will hear it again and again, on a loop in your brain. At the pub quiz the other night, the answer to a question was Brotherhood

Prefab Sprout’s comeback gives hope to the over-50s

Every musical career has its own narrative, and most of them include at least one comeback. To come back, you first have to go away; then you have to stay away; and finally, when everyone has forgotten your name, you wander nonchalantly back under the arc-lights and wave modestly to screaming fans and waiting reporters.

All I want next Christmas is new Christmas songs 

Three months until spring. Four months until the start of the cricket season. And only nine months until the radio starts playing ‘Merry Xmas Everybody’ again. Or have you heard enough of Christmas songs by now? Many of us had heard enough of them by Christmas 1988. Every October they return. The first strains of

A book that’s inspired by a movie (for a change)

Books become films every day of the week; more rarely does someone feel inspired to write a book after seeing a film. Peter Conradi’s Hot Dogs And Cocktails tells the story of King George VI and Queen Elizabeth’s visit to North America in the summer of 1939 and specifically the couple of days they spent

The best funny books for Christmas

Books do furnish a room, and quirky books for Christmas do furnish an enormous warehouse somewhere within easy reach of the M25. There are more of them than ever this year, some purportedly comic, some wilfully trivial, a few of them uncategorisable in their oddness, but all of them have one thing in common: they

#Onyourmarks! What is the formal name for the hashtag? 

One day there simply won’t be any strange byways of the English language left to write quirky little books about. Happily that day hasn’t arrived yet. Keith Houston’s Shady Characters (Particular Books, £16.99, Spectator Bookshop, £13.99, Tel: 08430 600033)) ventures into the previously untrodden territory of punctuation marks, and not the obvious ones either. Full

Gower vs Boycott

Ask any England cricket fan in his fifties to name his favourite batsman and chances are he will say David Gower. (Unless he says Geoffrey Boycott: the cavaliers and roundheads tend to divide along these lines.) In 114 Tests between 1978 and 1992, Gower’s elegance, timing and grace bewitched us all, not least because we

Talk Talk bears repetition

First impressions always count, and they are almost always wrong. This is particularly pertinent if you review albums for a living, as I used to years ago. You would listen once, maybe twice, possibly three times if you were really being good, and then form an opinion, which was as much based on your preconceptions

My 50 weddings

A couple of weekends ago, I went to my 50th wedding. Everyone I have mentioned this to has pulled a rather strange face, as though to say, ‘You count the weddings you go to? What unhinged variety of cross-eyed lunatic does that?’ But like so much of lasting value in life, this began with a

Hell is other people’s taste in music

‘I don’t really like most of the music you play,’ said the tall blonde woman with whom I share my life. ‘There are no tunes. Where are the tunes? A lot of it sounds like the sort of thing you’d hear in Topshop.’ I was outraged. Admittedly, the song playing at that moment — a

Across the Pond, by Terry Eagleton – a review

The esteemed literary critic, serial academic and one-time Marxist firebrand Terry Eagleton is, at 70, still producing books at an admirable rate. Across the Pond (Norton, £9.99) is subtitled ‘An Englishman’s View of America’, and begins with a rigorous justification for the use of national stereotypes in writing about a country’s population. Eagleton then proceeds

The last taboo in pop: fat old men

Don’t worry, I’m not going to go on about Glastonbury. I wasn’t there, I never have been and, unless forced at gunpoint, I never will be. It has been a source of great comfort to discover that rock critics far more professional than I detest festivals as much as I do. My friend Andrew Mueller