You can’t go home again, as the Americans say. It’s worth running that adage, taken from Thomas Wolfe’s unfinished novel of 1938, past those zealots who snapped up 20,000 tickets for Monty Python’s reunion at the O2 Arena in 43 seconds when they went on sale this week. Four more dates were immediately inked in,
‘You were at the Fish, I hear,’ a Berlin friend told me. ‘I didn’t know you were an old hippie.’ Reputations can cling to places as they do to people. Zwiebelfisch, the Berlin inn he was referring to, has not been a haunt of hippies — radicals, more like, ‘the class of ’68’ — for
‘Have a look at this,’ says Daniel Harding, goggle-eyed, between mouthfuls of salmon. The pictures on his smartphone show Claudio Abbado, one of his mentors, conducting the Berlin Philharmonic in Schumann’s Scenes from Faust, a work that gets closer to Harding’s musical personality than any other, which he has just recorded with the Bavarian Radio
Drinking in Corbières, a dingy basement bar just off St Ann’s Square, 30 years ago, you could bump into any number of groovy young Mancunians clustered round the jukebox, talking about the bands they were going to form. One night, as the jukey played ‘The Cutter’ by Echo & the Bunnymen, all evening long it
Of all folk memories the Blitz remains one of the most enduring. In the autumn of 1940 the Luftwaffe strafed London on 57 consecutive nights, leaving (if that is the word) 20,000 dead and whole streets pounded to rubble. ‘You do your worst,’ Churchill told the Hun, ‘and we shall do our best.’ Noël Coward
There’s a 13th man at the table at Lord’s this week as England resume the Ashes contest with Australia, which began so thrillingly at Trent Bridge, where England prevailed by 14 runs. For the first time in half a -century, -Christopher Martin-Jenkins is not present to renew one of the great rituals of the English summer. ‘CMJ’,
Being an English pianist must be a lonely calling at times. There is no native tradition like the ones that, say, German or Russian musicians are heir to, so many superb pianists have been unjustly overlooked. It used to be said of John Ogdon that, had he been born Ogdonski, in Minsk rather than Mansfield,
Established 32 years ago in Salzburg, the Hagen Quartet can fairly be described as venerable. It may be said equally fairly that brothers Lukas and Clemens Hagen, their sister Veronika, and Rainer Schmidt, are playing better than ever. The opening pair of concerts in their Beethoven cycle at Wigmore Hall in January were remarkable for
To hear Christian Thielemann conduct the Dresden Staatskapelle in Wagner’s ‘stage consecration play’, in Salzburg at Easter, proved a musical experience that could only deepen anybody’s love of this extraordinary opera. To see it was another matter, as it often is. But let us first praise the musicians who, guided by their conductor, gave it
‘You can’t talk about what might have been,’ says Tom Courtenay, reflecting on an acting career that blazed like a meteor the moment he left drama school and is now in its sixth decade. ‘The things you might have done, the films you might have made. I just didn’t feel comfortable with the world of
Is there anything more essential to one’s well-being than the sound of an English choir at evensong? Is there, for that matter, any word in our language more beautiful than ‘evensong’, with its evocation of architecture, music and the Anglican liturgy? This is the season to reflect on such matters. On Christmas Eve, Cambridge once
Francis Lee, the barrel-chested footballer who banged in goals for Bolton Wanderers and Manchester City, was my first idol. Billy Wilder, Johnny Mercer and Philip Larkin rank among the heroes of my maturity, though nobody will ever displace Chekhov and Schubert at the head of the table. But the vicar’s son who went up to
This summer, like so many others in the past decade, belongs to Roger Federer. By reclaiming the men’s singles title at Wimbledon, after giving Andy Murray a set start, the peerless Swiss revealed what true greatness looks like in sporting togs. Seven times a Wimbledon champion, 17 times a winner of Grand Slam events: his
Gratefully we cast our bread upon the blue-green waters of the Salzach to give thanks to this festival city. Across the river the famous castle stands fortress over the old town. On the terrace of the Cafe Bazar one hears the tongues of France, Italy and Spain as well as Austria, because this is old
The song list drawn up for the opening ceremony of the Olympic Games is a disgrace. Surely everybody knows that by now, but then what can you expect when the selection is made by a pair of disc jockeys? There is nothing that reflects our nation’s love affair with the sea, no acknowledgement of our
It is midsummer, and England are playing the West Indies at cricket. The teams have completed a three-Test series, which England won 2-0, and they are now playing five matches of 50 overs a side, a form of the game that suits the big-hitting Caribbean batsmen. You would have thought that West Indian supporters would
The last time I met Roy Hodgson, at Le Café Anglais, Rowley Leigh’s restaurant in Bayswater, I drew a king from the pack. I presented Roy — the West Bromwich Albion and now England manager — with Colm Tóibín’s wonderful novel The Master. Roy smiled as he laid down an ace: ‘Is this the one
Every December, for the past decade, I have laid a red rose on Schubert’s grave in Vienna’s southern cemetery. What began as a gesture has become a custom, a way of giving thanks to the most lovable of all composers. Schubert may not be as great as Bach or Beethoven, who established the musical language
They are lighting the candles at Covent Garden to honour one of the great singers of our age. Thomas Allen (as he was then) first appeared on the stage of the Royal Opera House in 1972, as Donald in Billy Budd, when Benjamin Britten was alive and his opera not nearly so highly thought of
It is one of Kenneth Tynan’s most-quoted observations. After seeing the first night of Look Back in Anger at the Royal Court Theatre in May 1956, the mustard-keen young critic could not contain his enthusiasm for John Osborne’s play. ‘I could never love anybody,’ he wrote, ‘who did not want to see Look Back in