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First: Reform is naff – and that’s why people like it Gareth Roberts warns this week that ‘the Overton window is shifting’ but in a very unexpected way. Nigel Farage is ahead in the polls – not only because his party is ‘bracingly right-wing’, but ‘because Reform is camp’. Farage offers what Britain wants: ‘a
C.P. Cavafy, who had a very high opinion of his own work, would no doubt be gratified to learn that he is now one of the most admired poets of the 20th century. This is all the more remarkable because during his lifetime (1863-1933) he did not allow a single volume of his poetry to
On 3 June 1960, a letter appeared in The Spectator which began: Sir, We are homosexuals and we are writing because we feel strongly that insufficient is being done to enlighten public opinion on a topic which has for too long been shunned. The letter was prompted by the government’s failure to act upon the
Interviewed on television for his 80th birthday in 1959, E.M. Forster said that one of the reasons he was so fond of King’s College, Cambridge, where he had lived as a Fellow since 1946, was ‘a very precious tradition, that the old people and the young can meet here very easily and without self-consciousness’. In
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On this week’s Spectator Out Loud: Paul Wood analyses what a Trump victory could mean for the Middle East (1:16); Sean Thomas gets a glimpse of a childless future while travelling in South Korea (8:39); in search of herself, Imogen Yates takes part in ‘ecstatic dance’ (15:11); a second selection of our books of the year
At Tate Britain this year, for the first time since 1926, nine of John Singer Sargent’s brilliantly painted and affectionately characterful portraits of the Wertheimer family have been displayed together in their own room. This was what the wealthy London art dealer Asher Wertheimer had always intended when he bequeathed these paintings to the nation.
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This week: the Chancellor’s Budget dilemma. ‘As a former championship chess player, Rachel Reeves must know that the first few moves can be some of the most important of the game,’ writes Rupert Harrison – former chief of staff to George Osborne – for the cover of the magazine this week. But, he says, the
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On this week’s Spectator Out Loud: Peter Parker takes us through the history of guardsmen and homosexuality (1:12); Prof. Wayne Hunt explains what the Conservatives could learn from the 1993 Canadian election (9:10); Nicholas Lezard reflects on the diaries of Franz Kafka, on the eve of his centenary (16:06); Mark Mason provides his notes on Horse
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On this week’s Edition: Wannabes – are any of them ready? Our cover piece takes a look at the state of the parties a week into the UK general election campaign. The election announcement took everyone by surprise, including Tory MPs, so what’s been the fallout since? To provide the latest analysis, The Spectator’s political editor Katy
In 1943 the music critic Desmond Shawe-Taylor placed an advertisement in Exchange & Mart offering a pair of trooper’s breeches for sale. A number of men replied, one asking ‘Have they been worn by a trooper or just yourself?’, while another observed: ‘It is always good to see the boys pulling themselves into tight troopers
In January 1948, George Lucas, an unremarkable 21-year-old Roman Catholic who had just been demobbed from the Pay Corps, was living unhappily in Romford with his ill-matched parents, who relentlessly taunted him about his homosexuality. He would shortly get a job at the War Office and so embark on a lifetime’s career as a civil
In this intriguing and idiosyncratic book, which aims to present ‘a new history of queer culture and identity over the past 125 years’, Diarmuid Hester recalls how he went to look at E.M. Forster’s former sitting room in King’s College, Cambridge. This once ‘intimate space’, filled with possessions accumulated over a long life, in which
Most readers have favourite books or authors they feel have been either forgotten or unjustly neglected. R.B. Russell, an assiduous book collector, did something practical about this when in 1990 he co-founded the Tartarus Press in order to bring the works of the once popular Arthur Machen back into print. Machen’s particular speciality was ‘weird
In the winter of 1952 the 21-year-old sculptor John Milne travelled to St Ives in Cornwall to take up a temporary job as an assistant to Barbara Hepworth. The arrangement was that he would become her pupil in exchange for helping her in the studio, but he was subsequently paid a small salary and ended
‘There are a great many ways of holding on to our sanity amid the vices and follies of the world,’ wrote Ronald Blythe in 2008, ‘though none better than to walk knowledgeably among our native plants.’ To many today, when the age-old connection between people and their indigenous flora is in danger of being extinguished
‘To talk about Crabbe is to talk about England,’ E.M. Forster declared in a radio broadcast in May 1941, but few people today talk about this Suffolk-born poet or indeed read him. This makes Frances Gibb’s slender but thorough account of George Crabbe’s life and work all the more welcome. In his time he was
Edmund White’s new novel opens, somewhat improbably, in 2050. This imagined future, however, springs few surprises on the reader and is in fact almost identical to the present. Indeed, the leap forward in time is merely a narrative device, allowing a 70-year-old Sicilian aristocrat to reminisce about his affair 30 years earlier with the elderly
James Courage is one of those fine writers who, though he enjoyed considerable success in his lifetime, has now more or less slipped from view. None of the eight novels he published between 1933 and 1961 is in print and most of them are impossible to find secondhand. The same goes for a collection of
William Loxley’s lively account of ‘Bloomsbury, the Blitz and Horizon magazine’ begins with W.H. Auden and Christopher Isherwood emigrating to the United States in January 1939 and ends with George Orwell dying in University College Hospital in January 1950. Between these two events Loxley explores the often interconnected professional and personal lives of a number
In the spring of 1945 three men pooled their resources in order to buy Long Crichel House, a former rectory built during the reign of Queen Anne in a secluded Dorset village. Desmond Shawe-Taylor and Edward Sackville-West were highly influential music critics, while Eardley Knollys, a former gallery owner, was now assistant secretary to the
