Philip Hensher is professor of Creative Writing at Bath Spa University and the author of 11 novels including A Small Revolution in Germany.
Somewhere or other Martin Amis remarks that the reason we have very little idea of what it feels like to go into space is that no astronaut so far can write. If we know very well what it felt like to go through a tropical typhoon, that’s because there was a Joseph Conrad able to
32 min listen
On this week’s episode, Douglas Murray asks – why would anyone want to be a government adviser, given what’s happened to Tony Abbott? The historian Francis Pike reads his piece on Thailand’s Caligula; and Philip Hensher reviews a new book on Wagner. Spectator Out Loud is a weekly audio collection of three Spectator writers reading
Towards the end of this tale of imperial intellectual expansion, Susan Sontag’s publicist goes to visit his shrink and, dealing with some appalling professional trauma or other, mentions her name. The psychiatrist bursts out laughing. The publicist asks what is so funny and is told: ‘You can’t imagine how many people have sat on that
In the early 1920s a French businessman, Leon Bel, was looking for a name for his new brand of processed cheese. He remembered seeing a meat wagon on the first world war battlefields with the sardonic name ‘La Wachkyrie’. Like the Valkyries in Wagner, it brought solace to fallen soldiers in the field. Bel thought
One of the most striking, and lowering, aspects of lockdown has been the deprivation of human exchange, and especially conversation. We can talk to our immediate families but not properly to a wider range of humanity. The Zoom chat, with so many ordinary conversational features removed, is not the same thing at all. Conversation is
42 min listen
In this week’s Book Club podcast we’re talking about Brideshead Revisited. Evelyn Waugh’s great novel is 75 years old this week, and I’m joined by our chief critic Philip Hensher, and by the novelist’s grandson (and general editor of Oxford University Press’s complete Evelyn Waugh) Alexander Waugh. What made the novel so pivotal in Waugh’s
We live at a time of universal polymathy. We don’t know everything, but there’s not much difficulty in being able to discover any given truth. But it’s worth remembering just how hard it used to be to find things out. Thirty years ago if you wanted to research off your own bat it meant a
In these circumstances there’s a temptation to reach for the longest novel imaginable. If you’re not going to read Proust now, as the days stretch ahead and the horizons shrink to an hour’s walk a day, when is it going to happen? But it seems much more likely that reading is going to contract, and
I like a book that can put its point in four outrageous words and use it as its title. Diana Souhami might be right. Without the women her book is devoted to, literary modernism would have looked very different. A consciously new approach to writing met a body of women who were being heard for
A kind of gigantism took hold of the European mind in the years before the first world war. It shaped everything, from empires to poetry. In the confidence of new technology and new ideas, things could be attempted on a larger scale than ever before. The mental power of the age could be measured in
Probably most of the world is bilingual, or more than bilingual. It is common in many countries to speak a national language alongside an international lingua franca such as Arabic, Spanish or English. On top of that, there may be a mother tongue that is not the same as a national language. A Nigerian, for
A good indicator of just how interesting and alluring Lydia Davis’s Essays proved might be my recent credit card statement. It was hard to read very far without being introduced to an unfamiliar author, and the terms of the introduction were frequently so seductive that I found myself breaking off to order several secondhand books.
Not every novelist has opinions. Some of the greatest have a touch of the idiot savant, such as Adalbert Stifter, Ronald Firbank and Henry Green. And those novelists who do have opinions aren’t always worth listening to. But Vladimir Nabokov’s views are of compelling interest — paradoxically, because he regularly insisted that his novels sent
This outstanding biography comes to an end, not in an atmosphere of triumph and achievement, but in a welter of frustration, division, anger and conspiracy. There is a widespread view that Margaret Thatcher’s first two administrations, from 1979 and 1983, were huge personal successes; the third, from 1987, was her mad period. That is unfair,
Kafka wrote a novella, The Metamorphosis, about a man who finds himself transformed into a beetle. Now Ian McEwan has written one about a beetle that is transformed into a man. He’s not the first writer to have thought of doing this, but he might be the first one who thought it was a good
Novelists will always be interested in enclosed communities — or the ‘total institution’, as sociologists say. When you separate a group of individuals from larger society with a wall and a controlling mechanism, all sorts of interesting facts about the way people interact become apparent. Convents, hospitals, asylums, schools, universities and prisons all serve the
Imagine you’re a gay man living in the year 1950. Not unnaturally, you would like to meet another gay man. How to identify yourself to a potential partner? A confession might bring the police; dressing and carrying yourself in distinctive ways will invite ridicule or violence in the street. The solution is this: you casually
I must have seen hundreds of opera productions in my time. Out of these, hardly any made a lasting impression on account of their design: the great Tarkovsky Boris Godunov for Covent Garden; Hockney’s Rake’s Progress for Glyndebourne; Es Devlin’s Les Troyens; the Richard Peduzzi Bayreuth Ring preserved on film. Very few others. For many
Despite efforts to prevent them, British women formed a part of the Indian empire almost from the start. Although the East India Company warned them off, citing difficulties of climate, disease, morality, religion and culture, a few managed to travel there all the same. By the late 18th century their numbers had increased considerably, making
Running the entire course of the 20th century, Michael Tippett’s life (1905–1998) was devoted to innovation. He was an English composer who worked within established forms —symphonies, oratorios, string quartets, piano sonatas — to startlingly new effect. But his innovation was not just as a composer. He was also a political and social radical, embedded
