Philip Hensher

Philip Hensher is professor of Creative Writing at Bath Spa University and the author of 11 novels including A Small Revolution in Germany.

The biography Noël Coward deserves

‘In the prison of his days,’ W.H. Auden wrote, ‘teach the free man how to praise.’ Noël Coward’s last performance, possessing, like so much of his work, a scene-stealing quality, was in the 1969 film The Italian Job. He plays the gangster Mr Bridger, masterminding a gold robbery in Turin from his prison cell. In

Who’s afraid of Keir Starmer?

41 min listen

This week: Who’s afraid of Keir Starmer? In his cover piece for the magazine, The Spectator’s Editor Fraser Nelson says that without a Labour demon to point at the Tories stand little chance in the next election. He joins the podcast alongside journalist Paul Mason, to discuss why Keir Starmer is so hard to vilify (01:10).  Also

Spare reviewed: Harry is completely disingenuous – or an idiot

A surprising number of royal personages have published books under their own names, and sometimes they have even been written by the purported authors. The first, I think, was the Eikon Basilike, published shortly after Charles I’s execution and presented as his account of himself and of events. The authorship of this highly effective piece

The unpleasant truth about Joseph Roth

Endless Flight is the first biography in English of the novelist Joseph Roth. This is very surprising, since Roth’s short, violent life traverses some of the most compelling episodes in 20th-century European history. He was a supremely elegant, intelligent and clear-sighted writer, despite living out of suitcases, in hotel rooms, always on the run. If

The intense Englishness of Philip Larkin

The English language has a curious feature, called the phrasal verb. It consists of a plain verb plus a preposition; to go up, to get over, to find out. They are quite often more vivid than their simple synonyms – to ascend, to recover, to discover. New ones are constantly being thought up; they are

Is T.S. Eliot’s great aura fading?

For much of his life T.S. Eliot was surrounded by an aura of greatness: people accepted it, and behaved accordingly. That kind of consensus is not helpful for a writer or his works, as Eliot himself clearly saw, observing that nobody had ever written anything significant after winning the Nobel Prize for Literature – true

Graham Robb deserves to be a French national treasure

This is a ceaselessly interesting, knowledgeable and evocative book about France over thousands of years. Is it at all likely to have been produced by a French writer? Though it’s about some deeply serious subjects, it’s very amusing; it makes no attempt to constrain itself within an overarching theoretical framework; it would be impossible to

Watcher of the skies: John Constable, painter and meteorologist

A surprising amount of classic painting turns out to have specific, often literary meaning, even in genres which tend to strike us as innocent observations of reality. Dutch flower paintings, for instance, might be celebrations of wealth or contemplations of mortality; still lifes were seldom just renderings of a few bits of fruit and vegetables

Far from being our dullest king, George V was full of surprises

‘Victorian’ stuck, and ‘Edwardian’ too. But ‘Georgian’, as an adjective associated with the next monarch in line, never caught on. It was already assigned, of course, but George V very strikingly didn’t embody his time in the way that his father and grandmother did. The adjective only really succeeded in one specific instance: as the

A dutiful exercise carried out in a rush

Like department stores, empires and encyclopaedias, the multi-volume narrative national history is an invention of the later 18th century. It reaches its apogee, promising to bring everything important within a single enclosure, in the 19th and early 20th century. After that, ambitious examples appear to be fighting against a general lack of enthusiasm. Most of

How William Hogarth made Britain

Has any artist ever had a wider impact on the world than Hogarth? He was the motivator behind the most important legislation protecting artists’ copyright, meaning that artists from ordinary backgrounds no longer had to depend on the whims of rich patrons. Like Dickens, he used his art to laugh at and root out abuses