Robert Jackman

Sitting in a posh office overlooking the Royal Academy, the comedian Harry Hill is deploying one of his lesser known modes: introspection. ‘I suppose I’m one of a growing number of celebrities who do art,’ he says, one hand fiddling with his trademark oversized shirt-cuff. His point – which he returns to several times –

Great TV shows have a knack for immortalising their locations. Think what Fargo did for the otherwise unloved Dakotas, or Vince Gilligan turning New Mexico into the heart of the 21st century’s greatest neo-Western with Breaking Bad. While the Duffer Brothers’ Stranger Things might have secured its place on the podium of brilliant box-sets, could

Hollywood can appear self-satisfied and insular at the best of times, but it’s been a rough few months even by Tinseltown standards. Judging by the slew of trailers that have dropped in recent weeks, this season in cinema land will centre on only one thing: biopics. From Madonna and Marilyn Monroe to Elvis (and even

According to the NHS, one in seven Britons lives with a phobia. But how many take the plunge and face their fear directly? Looking at the growth of bespoke phobia ‘experiences’ – in which sufferers get the chance to challenge their fear in a controlled environment – the number might be higher than you think.

Amid rising energy bills, the announcement that Netflix will hike its prices – with its basic package increasing by £1 a month to £6.99 – seemed to pass without too much fuss. But, as the cost of living crisis hits, many households will be looking at which subscriptions to prioritise. But with more of us subscribing

As the spectre of nuclear war returns so does another very modern phenomenon: a spike in interest amongst the paranoid rich seeking to procure their own nuclear bunker. Over in Texas – already home to a vibrant culture of ‘preppers’ who spend their time planning for every shade of apocalypse – one creator of custom

What’s the next step for a macho gangland drama that’s already built a fanbase in some 183 countries worldwide? That’s right: a collaboration with one of the highest regarded companies in UK contemporary dance. When it opens in September at Birmingham’s Hippodrome theatre, The Redemption of Thomas Shelby – a 20-strong dance production from the South

Every now and then you watch something that makes you realise how much the likes of Netflix have skewed our viewing habits. While the kings of streaming may have injected more money into Hollywood than ever before, they’ve also stacked the deck yet further in favour of the celebrity blockbuster, the big and the bombastic.

You’ve got to hand it to Ozark, Jason Bateman’s showy crime series about a slippery financial adviser who becomes immersed with Mexican drug cartels. In the years since its debut, the narco drama (whose final season arrived on Netflix last week) has been on somewhat of a journey. And then some. When it premiered back

If you’re the type of person who pays attention to these things, you might have noticed Keir Starmer’s new attack line. ‘The joke isn’t funny anymore, prime minister,’ the Labour leader now tells Boris Johnson on a semi-regular basis – attempting to turn his opponent’s clownish entertainer shtick from electoral strength to weakness. Leaving aside

After more than a decade on comedy’s A-list, Russell Howard has a decent claim to being our best known ‘arena’ comic. Yet last July, in the midst of an already strange year, the rockstar comedian – used to selling out venues across Britain – found himself having to reconsider his definition of a stadium gig:

Sometimes you have to feel sorry for the BBC. Upon publishing its 2021 Christmas schedule, the corporation was quickly attacked by some of its more trenchant critics who pointed out that – shock horror – its Xmas day line-up was completely identical to last year’s. What kind of fools do they take us for, they

The 90s are back. From House of Gucci, Impeachment and the BBC’s unmissable New Labour documentary, it’s clear that this particular period is enjoying its turn in the cinematic limelight. For fans of the scandalous and surreal, this can only be good news. Hollywood has fixated on the 70s and 80s for years now which – while a boon to

From Gordon Ramsay to James Corden, predicting which Brits will make a splash in Hollywood has long been a fool’s errand – even in the Netflix era. After all, what’s the latest British export to conquer the greatest entertainment market on earth? The Great British Bake Off. Well, almost. Like Cary Grant (born in Bristol

As if our beleaguered prime minister didn’t have enough to worry about, now comes another unhelpful headline. For on a mid-week trip to Islington’s most fashionable theatre, the Almeida, Boris Johnson had the misfortune to be spotted – well, snapped – by another audience member after he had temporarily removed his face-mask. For the tutting

Was the lefty comic Hannah Gadbsy right to call Netflix an ‘amoral algorithm cult’? Granted, the creator of Nanette (worth watching!) may have been referring specifically to the company’s decision to greenlight the latest Dave Chappelle special (also worth watching!) but her wider point – about the omnipotence of the Netflix algorithms – isn’t far

For all its critical success, Vince Gilligan’s Breaking Bad – and its superlative follow-up Better Call Saul, which returns to Netflix soon for its final hurrah – boasts a more niche achievement to its name. Like only a handful of series before it – Twin Peaks being one of them – the neo-Western epic succeeded

Quickly becoming Netflix’s most successful series ever (with an estimated 111 million viewers worldwide), Squid Game has turned the spotlight on Korea as a cultural hotspot. That won’t come as a surprise to anyone who’s had half an eye on film reviews over the past years – with Korean films impressing both viewers and critics

If the BBC’s constant tension with various Conservative ministers weren’t enough, now it has another name on its list of critics. This weekend veteran playwright Sir David Hare launched an attack on the corporation for refusing to broadcast his Covid play – and for shunning dramas about the pandemic more generally. ‘It strikes me as