‘Never deny, seldom affirm, always distinguish.’ We should dust off that old Jesuit adage in this season of American rioting. It may not be quite as mellifluous as ‘persistent perversity provokes the patient pedagogue to produce particularly painful punishment’, but it does suit the case. The death in Minneapolis of George Floyd at the hands
I am so glad that Nancy Pelosi has finally come to her senses and declared — on the floor of the House no less — that impeachment is ‘a hatchet job on the presidency’. Yes, that’s right. The House, said Pelosi, is ‘not judging the president with fairness, but impeaching him with a vengeance’. Nicely
New York The great ceremonial game of poll dancing is gearing up for its quadrennial orgy. Headlines across the fruited plain bark out numbers and percentages in mystic confabulation. Votaries sway back and forth as the modern magi of the press repeat the results of this contemporary incarnation of taking the auspices. Was any medieval
I am not sure that Melania Trump had the introduction of Henry IV Part 2 in mind when she sat down for her free and frank discussion with the jackals of the — er, with a respected ABC correspondent during her recent trip to Africa. But time and again she dilated upon the ‘unpleasant’, erring
President’s Trump’s magnificent speech at the UN yesterday will have had special resonance for anyone supporting the cause of Brexit. Brexit is not primarily about the UK leaving the European Union. It is rather about the reassertion of British sovereignty. It is only because of the EU’s childishness that British sovereignty must entail a severing
One of the most memorable moments of the 2012 presidential debates came when the candidates were asked what they believed to be the chief national security threat facing the United States. Mitt Romney said ‘Russia’. Barack Obama thought that was ridiculous. ‘The 1980s are now calling to ask for their foreign policy back,’ Obama retorted,
In London last week I had the opportunity to talk about President Donald Trump with several politically mature friends. Most were sceptical, even slightly appalled, by him. It was my task to help them overcome this prejudice. I am delighted, dear reader, to attempt the same service for you. I was not always a fan.
It is not surprising that Edward Hopper (1882–1967) is an immensely popular artist. His pleasing deployment of colour and easy-going presentation of the paraphernalia of everyday life give his work an immediate warmth and likeability. His muted palette, careful modulation of hues, and soft-edged precision are a recipe for visual charm. Considered simply as aesthetic
Roger Kimball on how Yoshio Taniguchi has transformed New York’s Museum of Modern Art We are told that our individualist art has touched its limit, and its expression can go no further. That’s often been said; but if it cannot go further, it may still go elsewhere.André Malraux, The Voices of Silence ‘An institution,’ said