38 min listen
Sam Leith’s guest in this week’s Book Club podcast is Roger Lewis, whose book The Life and Death of Peter Sellers has been republished to mark 100 years since the comedian’s birth. Roger tells Sam about the difference between Sellers’s public persona and private life, plus his influence on comedy today. They also discuss how
27 min listen
This week: Sophia Falkner profiles some of the eccentric personalities we stand to lose when Keir Starmer purges the hereditary peers; Roger Lewis’s piece on the slow delight of an OAP coach tour is read by the actor Robert Bathurst; Olivia Potts reviews two books in the magazine that use food as a prism through
Early on Monday mornings, in service stations across the country, armies of the elderly are mustering. These are the OAPs about to embark on motor coach tours to the Norfolk Broads, Cornish fishing villages, the Yorkshire Moors and Welsh ghost towns, organised by men in blazers consulting clipboards, like Kenneth Williams in Carry On Abroad.
48 min listen
On this week’s Christmas Out Loud – part two: Andrew Watts goes to santa school (1:11); Marcus Walker reads his priest’s notebook (7:20); Ali Kefford spends Christmas on patrol with submariners (12:34); Roger Lewis says good riddance to 2024, voiced by the actor Robert Bathurst (20:57); Ayaan Hirsh Ali argues that there is a Christian revival
71 min listen
Welcome to a special festive episode of The Edition podcast, where we will be taking you through the pages of The Spectator’s Christmas triple issue. Up first: our review of the year – and what a year it has been. At the start of 2024, the outcome of the US election looked very different, the UK had a
January. When the assisted dying bill comes in, I’ll be first in the queue. Non-stop nosebleeds, Covid-esque symptoms, leg cramps, a cough resistant to antibiotics, and unremunerated press interviews for my Burton/Taylor book. In the old days I’d be in New York, running amok with publicity handmaidens, going on television and racking up bills in
Brawling, boozing and womanising, those vaunted hell-raisers of the 1960s – Peter O’Toole, Oliver Reed, Richard Burton and, of course, Richard Harris – were all frightful bores. Because their professional lives involved dressing up and wearing mascara and silly wigs, it was essential for them to show what he-men they were: how hard. Like Stanley
‘Vivien was barking mad from the word go,’ Laurence Olivier reflected in later life, and Lyndsy Spence’s biography would fully concur with the summing-up. At best, the actress was ‘suspended in a dream world’, unable to separate herself from the classic characters she played – Scarlett O’Hara, with her dark hair and flashing eyes, or
When you think that David Niven, James Mason, Ronnie Barker, Arthur Lowe and Powell and Pressburger among many others failed to receive state honours, you’ll concede that a knighthood was wasted on Patrick Stewart, even if for 12 years he was chancellor of Huddersfield University. I mean no disparagement by this. I’m happy for him.
Whenever an actor and an actress begin an affair on the soundstage they like to believe they are the new Burton and Taylor. Actually they’ll be lucky to resemble Christopher Timothy and Carol Drinkwater, who had a fling on that vet programme – and now here are Humphrey Bogart and Lauren Bacall to live up
I’m glad Norman Scott can say he has ‘always had the ability to laugh at the absurdity’ of his existence because, as detailed here in a long-awaited memoir, I too couldn’t stop shrieking, he is so tragic. When he came home unexpectedly as a youngster, for example, and witnessed his mother having sex in the
A character in David Hare’s Skylight claims she has at last found contentment by no longer opening newspapers or watching television. ‘Well,’ says her astounded interlocutor, ‘you’re missing what’s happening. You’re missing reality.’ Hare himself can never be accused of missing (or missing out on) the reality of what is happening. He has already even
Rumours reach me that the libel report for Stephen Bayley’s forthcoming biography of Terence Conran was longer than the book itself, so I’m hazarding a guess that Bayley has siphoned off contentious material into this purported fiction. For as he says here, kidding on the level, ‘all novels are memoirs, all memoirs are novels’, and
Though the indefatigable Gyles Brandreth met and interviewed Prince Philip over a 40-year period, His Royal Highness managed to give very little away. ‘He would just look at me balefully and say nothing,’ Brandreth writes. Wondering what Prince Philip’s philosophy of life might be, ‘I didn’t get very far’. When asked about his childhood,‘he brushed
I met Jane Birkin’s parents, who flit across these pages. Her mother, Judy Campbell, was an actress in Noël Coward plays and a cabaret singer who’d worked with Charles Hawtrey, and when I invited her to a party once she drove her Mini up the steps and into the hotel lobby. Jane’s father, David, had
The Queen said in her address to the nation that what’ll get us through the lockdown and its ramifications will be our traditional British good humour. I’m not certain. Tempers are beginning to fray — and as we are looking at another week, minimum, of house imprisonment, I predict disaster. It is getting quite tense
Ray Galton and Alan Simpson remain pre-eminent as writers of television comedy, but their closest rivals Dick Clement and Ian La Frenais — still with us and in their eighties — always possessed more variety. Until I’d wolfed down this genial memoir I’d not known that the script-writing-and-directing duo had adapted Iris Murdoch’s A Severed
Grudges make the world go around, according to Sophie Hannah. They are ‘an important and fascinating part of human experience’, which ought to be ‘protective, life-enhancing and fun’. I think this overstates the case somewhat, as I can’t see any pleasurableness, though I am aware that my own ability to harbour resentments is possibly pathological
I saw a biopic about Morecambe and Wise recently. The actors impersonating the comedians were not a patch on the originals — how could they be? You need a genius to play a genius. I often wonder if my own HBO Peter Sellers movie would have been improved if someone fiery, of the calibre of
In the expensive realm of musical comedy, it’s impossible to predict what will take off and what will crash and burn. Oliver! ran for 2,618 performances, but no other Dickens adaptation has succeeded— and Oliver! had to overcome a reluctant producer who’d suggested it could be much improved with an ‘all-black cast’. And would Lionel
