Sam Leith is literary editor of The Spectator.
Visits from the Drowned Girl starts out with a gripping idea as old as crime fiction: the bystander. Benny Poteat climbs communications masts for a living. One day, from the top of such a mast out in the back- country, he looks down and sees a girl set up a video-camera on a tripod by
‘They can’t like us a whole lot,’ was the report of one American soldier. ‘If we came into a village there was no flag-waving, no pretty young girls coming out to give us kisses as we march through victorious. ‘Oh, here come the fucking Americans again. Jesus, when are they going to learn?’ That was
The odds are that the name Alexandre Grothendieck will mean little or nothing to most Spectator readers. It’s a name I heard for the first time in high summer two years or so ago, not long, as I remember it, after the film A Beautiful Mind had come out. I was in the garden of
The sound in the Grand Hall is like the chattering of sparrows. Milling at the door, most wearing bright yellow T-shirts with plasticky decals so big they practically double the weight of the cotton, are the domino sharks, kibitzing and waiting their turn for the tables. Inside, at the far end, a dais is decorated
‘Reviewers,’ laments the Dr Cake of Andrew Motion’s title, ‘they are devils. Devils. I have seen good men, good authors, broken by their deprecations. The worst of it is their presumption in supposing that those they chastise do not know their own faults, and admonish themselves with a ferocity others can only imagine.’ From a
The 13th Earl of Haddington (cr. 1619) was minded to revise his theory about crop circles to incorporate pixies, he told me the other day while we were enjoying a pre-dinner cigarette at the chimney piece of a grand dining-room in Chillingham Castle, Northumberland. Lord H. – a whiskery, engaging gent in tartan trousers –