Here are two approachable and distinctive books on our churches, great and small. Simon Jenkins’s cathedrals survey follows his earlier volumes on England’s best churches and houses, and like them includes fine photography by the late Paul Barker of Country Life. Too hefty to serve as a guide book, it can be consulted as a
Briefing his illustrator for the jacket of A Handful of Dust (1934), Evelyn Waugh asked for a country house in ‘the worst possible 1860’. The result was a neoGothic extravaganza with a pinnacled entrance tower and spiky dormer windows — just the sort of thing that might have come from the drawing board of George
Readers who have put in some time on the railways may remember the neat, brush-painted graffiti that appeared in 1974 on a wall facing the line just outside Paddington station: FAR AWAY IS CLOSE AT HAND IN IMAGES OF ELSEWHERE. Not until Banksy took up his spraycan did a piece of London graffiti make such
