The Church of England has always been clever at producing theology to suit itself. If we don’t start protesting, we may never get communion wine back again. Too many risk-averse clergy have discovered how efficient, hygienic and cheap it is just to give us a wafer each. They explain it away by reminding us that
The spectrum of ‘bestowing homemade gifts on one’s friends’ ranges from giving to foisting. Pure giving is when you make something by hand especially for a particular person. Foisting is when you don’t let a friend leave your house before pressing a copy of your privately published memoir into their hands. Where does homemade marmalade
‘Who,’ asks Stephen Bayley, in one of the ‘S.B’ chapters of this irresistibly spiky co-written book, ‘could countenance working for a man like Terence, a man of such fluid principles, of such day-glo opportunism, of such sun-dried narcissism, guiltless hypo-crisy and Hallelujah Chorus egomania?’ Well, both S.B. and R.M. (the ad man Roger Mavity) did
‘Programme starts at 3.45, so the film will start at 4.15, and it’s two hours and 43 minutes long, so we’d be out just before 7 p.m.’ This is the No Time to Die calculation, and I think many of us are doing it and wondering: ‘Can I face it?’ A dark afternoon spent in
Westminster School is being kept on its toes by its partner sixth-form college round the corner, Harris Westminster. There’s no imminent threat yet, in the ‘How many did you get into Oxbridge?’ stakes: last year, Westminster (private, £10,497 per term for day sixth-formers) got 71 of its pupils into Oxbridge, and Harris Westminster (state, £0
Londoners have had to learn, more than ever before, to master the art of fielding pity. We’ve been on the receiving end of lots of it this year from people living in the country who care about us, which makes it worse because we’re supposed to be grateful. I’m still smarting from a few recent
20 min listen
On this week’s episode, Dr Max Pemberton explains that while just as many people are seeing their GP as before the pandemic, something has changed. (00:55) After, Andrew Watts argues that you shouldn’t buy a second home in Cornwall. (09:15) Ysenda Maxtone Graham finishes the episode, lamenting the loss of indoor singing. (14:00)
‘And now we sing our final hymn, number 466.’ Remember that? The euphoria of congregational hymn-singing? The well-organised types always had the book open at the correct page, balanced precariously on the pew. The rest of us hurriedly flicked to 466 while singing the first verse, knowing it by heart from a thousand school assemblies.
It was the 13th-century wall of a ruined Cistercian nunnery at the far end of her garden in Norfolk that turned Sarah Sands’s thoughts to exploring monasticism in her final year as the editor of BBC Radio 4’s Today programme. She already had a soft spot for the ‘Thought for the Day’ slot — ‘an
In the leafy seclusion of the Lambeth Palace grounds, Archbishop Justin Welby goes for his daily jog. He used to run along the Thames and over the bridges until Canon David Porter, his Chief of Staff, put a stop to it. David Porter grew up in Belfast in the 1960s and he knows how easy
30 min listen
In this week’s books podcast my guest is the writer Ysenda Maxtone Graham, whose new book casts a rosy look back at the way children used to spend their summer holidays. British Summer Time Begins: The School Summer Holidays 1930-1980 is a work of oral history that covers everything from damp sandwiches and cruelty to
A brief but sharp twist of the knife was felt across the world of our gagged choral musicians on Friday evening, when the Times Science Correspondent Tom Whipple tweeted ‘It’s not good news’ about the future of choral singing. Sage documents had ‘dropped’, he wrote, containing the ominous statement, ‘There is some evidence to suggest
The Dean of Sheffield, the Very Revd Peter Bradley, comes across as a likeable man of sound mind and brisk sense of humour. Of his own liturgical tastes, he assures me, ‘drums and guitars are not my tradition. The London Oratory is more my world, musically speaking. I cannot say too strongly how committed I
19 min listen
Liam Halligan on the inflationary dangers of the Bank of England’s quantitative easing; Lionel Shriver on the vanity of white guilt; and Ysenda Maxtone Graham on the existential danger that choirs are facing.
Britain’s choirs are facing oblivion. Yet they’re also terrified of returning. One story explains why. Picture this innocent choral-society scene in Skagit County, Washington State, on the evening of 10 March. One-hundred-and-twenty singers, most of them elderly sopranos, gathered in the Presbyterian church to rehearse for two hours, their chairs 15cm apart. At half-time they
Nine cups of milky Nescafé Gold Blend a day; a low-tar cigarette smouldering; a hot-water-bottle always on her lap; the Times crossword almost completed at the Formica table; knitting on the go; and novels — she always read the last page first. She was one of that generation of women who didn’t go to university
This is proving a rich period for those of us who can’t resist snooping into the interiors of other people’s houses. You might call us nosey Parkers, and you’d be right; but we would protest that we’re simply deeply curious about humanity, and that one of the best ways of gleaning the essence of people’s
Feasting on the remnants of my edible Christmas presents during the otherwise frugal month of January, I experienced a frisson when I opened the box of Thorntons ‘Continental’ chocolates. For anyone who grew up in the 1950s, 1960s and 1970s, the word ‘Continental’ carries with it a waft of balmy air from the Mediterranean, a
Feasting on the remnants of my edible Christmas presents during the otherwise frugal month of January, I experienced a frisson when I opened the box of Thorntons ‘Continental’ chocolates. For anyone who grew up in the 1950s, 1960s and 1970s, the word ‘Continental’ carries with it a waft of balmy air from the Mediterranean, a
Trained from a young age to be self-effacing, never liking to be the centre of attention, having been traumatised for life by being made to wear a bright green dress sewn from old parachute material at her own coming out dance in 1950, Anne Glenconner must be wincing at being thrust into the limelight by