Zoe Strimpel

Zoe Strimpel

The Netflix generation has lost its grip on history

The first thing you notice about Bridgerton, Netflix’s big winter blockbuster set in Regency England, is how bad it is: an expensive assemblage of clichés that smacks of the American’s-eye view of Britain’s aristocratic past. The dialogue is execrable, the ladies’ pouts infuriating. But bad things can be good, especially when it comes to sexy

Black Lives Matter’s anti-Semitism blind spot

Charles Dickens was not a nice man. He was horrid to his family, remarking on the birth of one of his sons that ‘on the whole I could have dispensed with him.’ When he fell in love with Ellen Ternan, an actress 27 years his junior, he threw his long-suffering wife out, and sent her

Bad romance | 7 February 2019

I interviewed a prominent 1970s women’s liberationist recently and ended up discussing the sexual culture of her political heyday. ‘Everyone was sleeping with everyone,’ she said. ‘You had to have a good reason not to sleep with someone.’ I felt a stab of envy, a sharpened version of what I feel browsing black-and-white snaps from

Great expectations | 12 April 2018

In a 1974 interview celebrating the quarter century since the publication of her classic The Second Sex (1949), Simone de Beauvoir recalled a eureka moment in which she saw that ‘to change the value system of society was to destroy the concept of motherhood’. That ‘value system of society’ rested on what she saw as