Laura Gascoigne

Masterclass of an exhibition: Impressionists on Paper, at the RA, reviewed

The thesis of this once-in-a-lifetime show is that modern drawing began with the impressionists

‘Dancer Seen from Behind’, c. 1873, by Edgar Degas. Credit: Collection of David Lachenmann 
issue 09 December 2023

Viewers have different relationships with small pictures, or perhaps it’s the other way round: small pictures have different relationships with them. A big picture clamours for attention; a small picture you have to lean in to hear.

No picture is more intimate than a drawing, and none brings you closer to the artist’s hand.

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