In Competition No. 3154 you were invited to supply your own variations on the medieval round ‘Sumer is icumen in’.
This six-part polyphony — the jaunty accompaniment to the ritual sacrifice of Edward Woodwood’s Christian copper in the horrific climax of The Wicker Man — is also known as the Summer Canon and dates from about 1300.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in