Helen Barrett

Abstract and concrete: the beauty of brutalism

Our modernist architecture is increasingly at risk, and we should cherish it more than we do, say Owen Hatherley and Nicholas Kenyon

Modernism for the wealthy: ‘The Barbican operates alongside the existing city, not as part of it.’ Looking up at the corner of one of the low-level residential blocks. [Getty Images]

Already a subscriber? Log in

Keep reading for free

Subscribe today to get 3 months’ free digital access.

  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828
  • Plus, three months’ free digital access to the Telegraph

Comments

Join the debate for free — this month only

This month, be part of the conversation with other Spectator readers by getting your first three months for free. We’ll also give you three months’ free digital access to the Telegraph.

Already a subscriber? Log in