Amidst the interminable tundra of centennial Shostakovich the very thought of an ‘Igor Fest’ is refreshing. And Birmingham’s four-year plan to play every note by the 20th century’s representative composer got off to a marvellous start last month with the CBSO under Sakari Oramo.
A major positive about Stravinsky is just what his detractors used to pounce upon as a defect: he’s always doing something different.
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