The Catalan opening looks as if it should be relatively harmless, combining as it does the Queen’s Gambit with the modest fianchetto development of White’s king’s bishop. But various endgame virtuosi, notably Petrosian, Korchnoi and Kramnik, have demonstrated that the Catalan can be dangerous. In particular, the nagging pressure exerted at first by White’s light-squared bishop may persist long into the middlegame and endgame.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in