Richard Bratby

Grey, grey and more grey: Aida, at the Royal Opera House, reviewed

Plus: a new cantata from Brett Dean that is masterfully textured and paced but emotionally reptilian

Agnieszka Rehlis (Amneris) and Elena Stikhina (Aida) in Robert Carsen's Royal Opera House production. Image: © Tristram Kenton

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in