Royal Opera

I genuinely liked Siegfried – which almost never happens: Royal Opera's Ring cycle reviewed

13 October 2018 9:00 am

‘On Brünnhilde’s rock I drew the breath that called your name; so swift was my journey here.’ It’s Act Two…

A grim and impoverished place: Royal Opera’s new Lohengrin

Longborough continues to be a refuge for British Wagnerians fleeing idiotic productions

16 June 2018 9:00 am

Longborough Festival Opera, refuge for British Wagnerians fleeing unidiomatic musical performances and idiotically irrelevant and insulting productions, has rounded off…

Much is routine – and a fair amount is worse: Glyndebourne’s Madama Butterfly reviewed

26 May 2018 9:00 am

There is no such thing as a moderately good performance of Madama Butterfly, or, to be more precise, it’s not…

How do these Shaolin monks square six shows a week with monking?

How do these Shaolin monks square six shows a week with monking?

14 April 2018 9:00 am

The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…

Verdi would have been disarmed: Anna Netrebko as Lady Macbeth

At last, a great achievement at the Royal Opera: Macbeth reviewed

31 March 2018 8:00 am

At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but…

Frustratingly unclear: From the House of the Dead reviewed

17 March 2018 9:00 am

Janacek is the master of the operatic title. Think of the slippery, sleight-of-hand emphasis of Jenufa in its original Czech…

A step too far: the new production of Carmen at the Royal Opera House

A colossal bore: Royal Opera's Carmen reviewed

17 February 2018 9:00 am

The new production of Bizet’s Carmen at the Royal Opera has received mixed reviews. It shouldn’t have done. They should…

Royal Opera’s Tosca is a sloppy affair

27 January 2018 9:00 am

One of the Royal Opera’s greatest virtues is the care it takes with its revivals, even those that are virtually…

More than ever, this was Ulysses’ show: Royal Opera’s Return of Ulysses reviewed

20 January 2018 9:00 am

Spoiler alert: the final image of John Fulljames’s production of Monteverdi’s The Return of Ulysses at the Roundhouse is haunting.…

The National Youth Orchestra showed that they’re the equal of any professional band

13 January 2018 9:00 am

Everyone knows — don’t they? — that the National Youth Orchestra of Great Britain is the UK’s youngest world-class symphony…

Claude Debussy and his daughter Chouchou near Arcachon, France, 1915

Debussy, Tippett and Wagner: the musical treats of 2018

6 January 2018 9:00 am

Richard Bratby on the musical treats in store over the year to come

Musically superb but there isn’t a moment where one feels for anyone: Semiramide reviewed

25 November 2017 9:00 am

The late arch-Rossinian Philip Gossett regarded Semiramide as a neoclassical work, vaguely and alarmingly suggesting to me a musical equivalent…

A DIY affair in the main – but I cried at the end: Royal Opera’s new La bohème reviewed

16 September 2017 9:00 am

The Royal Opera’s one production that, it has always confidently been claimed, need never be replaced has been replaced. John…

That this Fidelio is merely frustrating counts as something of a success

1 July 2017 9:00 am

If you want to see an opera director kicking a genius when they’re down — and I mean really sticking…

Much of Scottish Opera’s Bohème is spot-on – but it begins with an act of petty vandalism

20 May 2017 9:00 am

When a composer begins an opera, they create a world. You don’t need a full-scale overture: the tear-stained violins that…

The cast’s talents are not put to good use: Thomas Adès’s Exterminating Angel reviewed

29 April 2017 9:00 am

The Adèsives were out in force at Covent Garden last Monday for the UK première of their hero’s third opera,…

Unbearable (in a good way): Opera Holland Park's La voix humaine reviewed

1 April 2017 9:00 am

Opera is littered with the bodies of abandoned women. Step over Dido and Gilda, and you’ll still stumble into Donna…

Nothing could prepare me for so deep an abyss of idiocy: Royal Opera’s Die Meistersinger reviewed

18 March 2017 9:00 am

I don’t think that I have left a theatre many times feeling as depressed and irritated as after the Royal…

Doing a disservice to a lovely opera: Angela Gheorghiu as Adriana Lecouvreur

The opera conductor who’s marginally less popular than Donald Trump

18 February 2017 9:00 am

The story so far: in 1986 English National Opera hired Jonathan Miller to direct Gilbert and Sullivan’s The Mikado. The…

The thrills are in the visuals: Philip Glass’s Les Enfants Terribles reviewed

4 February 2017 9:00 am

Kids: who’d have them? Certainly no one who has ever been to the opera. If they’re not murdering you, they’re…

A noble flop: Royal Opera's Les Contes d'Hoffmann reviewed

3 December 2016 9:00 am

As the dreaded season of goodwill approaches, the Royal Opera has mounted two revivals of pieces that are interestingly contrasted:…

All at sea: Rachel Kelly as Donna Elvira and Henk Neven as Don Giovanni in Northern Ireland Opera’s ‘Don Giovanni’

Oliver Mears’s limp Don Giovanni doesn’t bode well for the Royal Opera

26 November 2016 9:00 am

The last ten minutes of any Don Giovanni tell you more about a director than the previous two hours. Mozart’s…

Ben Baur’s stylish designs for ‘Così fan tutte’ at the Royal Opera House

Stylish designs undermined by elderly tempi: Royal Opera’s Così fan tutte reviewed

1 October 2016 9:00 am

The subtitle for Mozart’s Così fan tutte may be ‘The School For Lovers’, but it’s as a school for directors…

Not so Super Mario: Vito Priante as Figaro in ‘Il barbiere di Siviglia’ at the Royal Opera House

Near-ideal première from our boldest opera company: WNO’s Merchant of Venice reviewed

24 September 2016 9:00 am

Alas, poor André Tchaikowsky. A survivor of the Warsaw Ghetto, with an assumed name that probably did his musical career…

A thrilling production: Opera Holland Park’s Queen of Spades reviewed

20 August 2016 9:00 am

Tchaikovsky’s The Queen of Spades is probably his greatest opera, certainly the one in which his characteristic strengths are on…