When the judges for the 1992 Booker Prize received Hilary Mantel’s A Place of Greater Safety, an 800-page novel set during the French Revolution seemed a quirky diversion from the work of a novelist then most associated with shortish dark comedies of contemporary or recent life, such as Fludd (1989), featuring a weird Catholic priest, and Eight Months on Ghazzah Street (1988), in which an Englishwoman suffers Saudi Arabian culture shock.
Mark Lawson
Knowing Cromwell’s fate only increases the tension: Mantel reviewed
In a gripping denouement, the indispensable servant falls victim to the King’s caprice, as countless others before him have done

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