Laura Gascoigne

Modern, timeless, effortlessly avant-garde: Pasquarosa, at the Estorick Collection, reviewed

Her wonderfully honest paintings are as fresh today as when they first charmed London a century ago

‘Oysters, Mussels and Lemon’, c. 1963, by Pasquarosa. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in