Calvin Po

Our great art institutions have reduced British history to a scrapheap of shame

New displays at Tate Britain and the National Portrait Gallery are pious distortions of history

Guilt frames: ‘Portrait of Mai (Omai)’, by Sir Joshua Reynolds, c.1776. Courtesy of National Portrait Gallery, London and Getty

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in