Eddy Frankel

Paintings dominate – the good, the bad and the very ugly: Frieze London 2021 reviewed

Most of the fair is choked by the smog of commercialism – but there are pockets that hold out

Dutch Golden Age art for people with Instagram attention spans: the paintings of Issy Wood at the Carlos/Ishikawa stall at Frieze London 2021. Credit: Courtesy Linda Nylind / Frieze

There’s a faint scent of desperation wafting through the Frieze tent this year. Pre–pandemic, this was where you came to see gallerists and artists at the top of their game, knocking back the Moët with collectors to toast another big-ticket sale. But it’s been a tough few years. No art fairs, paltry sales and now there’s a limit on visitor numbers to the fair and travel restrictions are keeping international buyers at bay.

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