Richard Bratby

Ravishing and poignant: ENO’s Orphée reviewed

Plus: LSO sounded like the Osipov State Balalaika Orchestra in Michael Tilson Thomas’s Prokofiev Five

issue 23 November 2019

Billy Wilder, asked for his opinion of Andrew Lloyd Webber’s musical version of his movie Sunset Boulevard, famously replied: ‘Those boys hit on a great idea. They didn’t change a thing.’ I don’t think you could say exactly that about Netia Jones’s new staging of Philip Glass’s Orphée, a piece that takes the script of Jean Cocteau’s 1950 film and turns it into — well, into an opera by Philip Glass.

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