Louise Levene

Stranger danger

This terrific revival takes a wrecking ball to the old classical certainties — and Cojocaru is complete mistress of the title role — but where are the audiences?

issue 27 October 2018

Like it or not, provincial ballet audiences love a story they can hum and any director planning to tour a swan-light, sugar plum-free menu has always done so at their peril. Tchaikovsky isn’t compulsory: a really well-known story, however undanceable, can usually do decent business (Northern Ballet’s extremely silly Three Musketeers is a reliable granny-magnet).

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