Laura Gascoigne

The importance of copying

Hockney was one of the last artists to copy the great masters at the National Gallery – and his debt to Piero della Francesca is clear in this little exhibition

Luminous: ‘Looking at Pictures on a Screen’, 1977, by David Hockney. © David Hockney  
issue 31 August 2024

The lunatics were once in charge of the asylum. The first six directors of the National Gallery were all artists: before art history became an academic discipline, artists were the leading authorities on art.

Founded more as a teaching resource than a visitor attraction, until the mid-1940s the gallery was reserved for artists two days a week, when other visitors had to pay for entry.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in