Richard Bratby

The opera that wouldn’t die

After a century of political suppression and critical sniffiness, Erich Korngold’s one-time smash hit Die tote Stadt is back

Stephen Gould as Paul and Nadja Michael as Marie/Marietta in the Royal Opera’s 2009 production of Erich Korngold’s Die tote Stadt. Credit: robbie jack/Corbis via Getty Images

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in