Dean Kissick

The rise of bad figurative painting

The art market is awash with paintings that look like they've been designed by algorithm. Dean Kissick on how zombie figuration became a global phenomenon

The first-ever portrait of a broomstick experiencing saudade: Emily Mae Smith’s ‘Alien Shores’, 2018, which sold for £277,200 at Phillips last autumn. Credit: Image courtesy of Phillips

Bad figurative painting is today’s hottest trend. Last autumn Artnet listed the top ten ‘ultra-contemporary’ artists (meaning those born after 1974) with the highest total auction sales so far that year. Counting down: Lucas Arruda, Jia Aili, Ayako Rokkaku, Dana Schutz, Amoako Boafo, Nicolas Party, Matthew Wong, Jonas Wood, Eddie Martinez, Adrian Ghenie.

Already a subscriber? Log in

Keep reading with a free trial

Subscribe and get your first month of online and app access for free. After that it’s just £1 a week.

There’s no commitment, you can cancel any time.

Or

Unlock more articles

REGISTER

Comments

Don't miss out

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Already a subscriber? Log in