Michael Tanner

There will be blood | 14 April 2016

And even if you closed your eyes on Katie Mitchell’s production, you’d still not find it a great evening, with the conductor merely beating time

issue 16 April 2016

Lucia di Lammermoor is one of the two or three Donizetti operas that have never fallen out of the repertoire, and the more of his operas it’s possible to see, or at least to hear on CD, the less explicable that becomes. The late and rightly venerated Rodney Milnes called Lucia ‘a blazing masterpiece’, but that does seem to be overdoing it, and in fact several of his other works are more worthy of that accolade.

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