Book Reviews

Our reviews of the latest in literature

Cook books for a colourful Christmas

‘When people see the word “chef” on the cover of a cookbook, it can set off alarm bells. It’s intimidating, I get it,’ says Ben Lippett, a former chef. The statement does make one wonder. When does a cook become a chef or a chef become a cook? Recently I sulked, I don’t know why, when a friend introduced me as ‘a chef’. It is an estimable compliment, surely suggesting one is better than a good professional cook. But I have never put in all those hours. With his book How I Cook (HarperCollins, £26), Lippett reminds me of the early Nigel Slater. He is a wonderful mentor to get

A Faustian pact: The School of Night, by Karl Ove Knausgaard, reviewed

The fourth novel in Karl Ove Knausgaard’s spooky supernatural series differs from the others in that it is a standalone and doesn’t involve previous characters. Gone, too, are the multiple narrators; and there is only the briefest mention of a new star in the sky – which in the other three books coincided with all sorts of inexplicable occurrences. But it is no less compelling. This is the story of an arrogant young Norwegian, Kristian Hadeland, who arrives in London in 1985 to study photography at a prestigious art college. Though enthusiastic about his subject, he finds it hard to accept the constructive criticism of his lecturers. He is single-minded

A philosophical quest: A Fictional Inquiry, by Daniele del Giudice, reviewed

A researcher arrives in Trieste to piece together the life of a well-known literary figure. In cafés, bookshops and hospitals he visits the friends and lovers who were part of the writer’s circle. Now dying themselves, they share echoes of a literary scene that has long since dispersed. Women recall how they were celebrated in poetry; men how their conversation sparkled. Someone remembers how the writer once asked if he might immortalise one of his witticisms in his work: ‘Forty years ago I made a joke in a bar, and he said “Oh that’s good! Will you give it to me? I want to put it in my novel.’” But

The pedant’s progress through history

No one likes a pedant. But over the past few millennia, people have shunned pedants, bores and know-it-alls for a wide range of different, often conflicting, reasons. They have been accused of obscuring the path to true philosophical knowledge and of putting learning on too high a pedestal; they’ve been regarded as unfit to be democratic leaders; too unskilled in the aristocratic virtues; too keen to rise above their natural class; and as stubborn impediments to a true comprehension of the divine. At times they’ve been deemed too unmanly and too feeble; at others, far too boorish, charmless, unable to think for themselves and probably horrible at parties. Arnoud S.Q.

Is ‘wind drought’ the latest climate catastrophe?

Simon Winchester has found an excellent subject. While invisible, wind makes itself apparent through its effect on other things. This may mean flying detritus, scudding clouds and the rustle of foliage; or it may mean the ways in which it irresistibly alters and directs larger movements in society and culture. Much of the history of global capitalist exchange was driven by the trade winds, forcing the direction of money and goods into particular cross-continental patterns of advantage and disadvantage. Over the centuries, we have discovered more and more, understanding the westerlies and those high, savage rivers of air, the jet streams. Many significant events have been settled by wind. The

Sam Leith

Wikipedia founder on his 'friend' Elon Musk & finding truth online

35 min listen

Sam Leith’s guest this week is Jimmy Wales, the founder of Wikipedia and author of The Seven Rules of Trust. They discuss why trust is such an important value for public debate, and how it can address polarisation in society. Jimmy addresses the challenge Elon Musk has posed to Wikipedia after the entrepreneur branded the site as ‘woke’, despite the pair having a personal relationship. Sam also asks whether the internet is getting worse – and if it can be fixed.

What do Oscar Wilde, Gwen John and Evelyn Waugh have in common?

Religious conversions do not, for the most part, make for good anecdotes. An exception can be found in Patricia Lockwood’s memoir Priestdaddy, which describes the author’s father Greg’s road to Damascus experience in a nuclear submarine off the coast of Norway, where he watched The Exorcist 72 times: That eerie, pea-soup light was pouring down, and all around him men in sailor suits were getting the bejesus scared out of them, and the bejesus flew into my father like a dart into a bull’s eye. It was, Greg boasted, ‘the deepest conversion on record’. The 12 conversions explored by Melanie McDonagh in this absorbing study are less Halloween and more

An escape from investment banking to the open road

A beguiling cinema advert back in the 1970s showed a young man with a series of doors closing around him with resounding clunks. First, he was hemmed in by the boredom of school, then work, and finally a mortgage – but as soon as he got the keys to his first motorbike, he could hit the open road and escape to freedom. Vroom, vroom. I seem to remember the initial scenes were in grim black and white, but when he got the bike everything switched to vibrant colour – although that may be false memory syndrome. He salutes other bikers with majestic waves – until he realises this makes him

A satirical portrait of village life: Love Divine, by Ysenda Maxtone Graham, reviewed

Love Divine, the debut novella by Ysenda Maxtone Graham, is set in the leafy, fictional parish of Lamley Green and weaves together a tableau of stories about the community. The title comes from the hymn ‘Come Down, O Love Divine’; but beneath this bourgeois Church of England world of round-robins and milky tea is a satirical portrait of a parish with a dark underbelly. Maxtone Graham perfectly captures hypocritical English chit-chat, and the polyphony of perspectives works well. The central thread concerns Lucy Fanthorpe, 54, who is hit by the sudden death of her beloved husband Nick and the gradual realisation that he might have been having an affair. One

The inspiration for David Lynch’s mysterious, disquieting world

‘He was the true Willy Wonka of film-making – I feel like I won the golden ticket getting the chance to work with him!’ The speaker is Lara Flynn Boyle, who played Donna Hayward, the friend of the murdered Laura Palmer in David Lynch’s small-screen masterpiece Twin Peaks. That comparison, cited in John Higgs’s terrifically lucid and compact study of the filmmaker, who died in January, aged 78, is rather brilliant. Plenty of actors might feel they’ve won a golden ticket in getting to work with some famous director, but none of those others get to be described as Willy Wonka: a genius with a dash of eccentricity, enclosed in

From the wilds of Kyrgyzstan to the Victorian nursery – a choice of art books

One day, according to a venerable anecdote, an earl pushed his way into Hans Holbein’s London workshop demanding that his portrait be painted straight away. Understandably annoyed, Holbein hit him. This nobleman then asked Henry VIII to punish the painter, but apparently the monarch replied: ‘I can make seven earls (if it pleased me) from seven peasants – but I could not make one Hans Holbeen [sic], or so excellent an artist, out of seven earls.’ Holbein’s pictures must have seemed miraculous when they appeared in Tudor England. In fact they still do. Seeing them is like opening a window into the past and finding it populated by people like

Laughing at Putin is a powerful form of protest

Penal Colony No. 2. A girl in a green coat. Red splashes of fireworks against the night sky. She arrives back in Moscow: photographers, a clamour of questions, what is it like to be free? Meetings, cops, her little six-year-old son with a sparkler, a video being recorded, her mother nearby, anxious. Like the flickering, scratchy lens of a film projector, Maria Alyokhina’s Political Girl illuminates the story of her life from the moment she and the other members of Pussy Riot were let out of prison in 2013 until, in 2022, she finally fled Russia disguised as a delivery driver. Nine years of fighting the slowly tightening noose of

Philosophy’s greatest pessimist wasn’t so miserable after all

According to the German philosopher Arthur Schopenhauer (1788-1860), people prefer reading books about great thinkers rather than by the thinkers themselves because ‘like is attracted to like and the shallow, tasteless gossip of a contemporary pinhead is more agreeable and convenient to them than the thoughts of great minds’. Thankfully, this contemptuous attitude towards biographers has not deterred David Bather Woods, a professor at Warwick University, from taking a fresh look at one of the most influential yet misunderstood figures in western philosophy. Woods’s prose is clear and compelling, though the book’s thematic structure is confusing. He argues that the defining event in Schopenhauer’s life was the suspected suicide of

The furious tug of war between 18th-century Whigs and Tories

A foul-mouthed fantasist with a chin like an ironing board starts a wild conspiracy theory about the King’s brother. An alcoholic racing fanatic turns his gambler’s eye to the ballot box. A maniacal preacher gives such a polarising sermon that he paints himself as a second Christ and tours the country as a sex symbol. These are not the inventions of William Hogarth or Jonathan Swift; they are the figures who divided our political system in two, as George Owers tells us in his delightful new history of the birth of party politics. The Rage of Party traces the fevered rise of Whigs and Tories during the reigns of William

In Putin’s Russia, feminism is an ugly word

The excellent Moscow-born journalist Julia Ioffe’s first book recounts a well-known slice of Russian history from a fresh perspective – that of the mighty Russian woman who, it’s said, can ‘stop a galloping horse and run into a burning hut’. And how superhumanly brave and resilient they have had to be. Women were granted sweeping rights following the Revolution, then watched them dwindle for the rest of the century, in law but mainly in practice. What remained was the Soviet obligation to work regardless of gender, which created a country of professional women in every sphere: engineers, cosmonauts, judges, professors and 70 per cent of doctors by the 1970s. Ioffe

The making of William Golding as a writer

It is hard to believe that the 1983 Nobel Prize in Literature would have been awarded to the author of titles such as The Chinese Have X-Ray Eyes, Here Be Monsters or – yes – An Erection at Barchester. But if William Golding had had his way, so it might have proved. Charles Monteith, his loyal editor at Faber & Faber, saved him from himself; and thus it was that those books were called instead Pincher Martin, Darkness Visible and The Spire. For whatever reason, Golding thought himself a monster and his journals seethed with self-disgust Even Golding’s first and most famous novel, Lord of the Flies (1954), started life

The simple flatbread that conquered the world

Pizza is the Italian food that has conquered the world. From Brussels to LA, from Beijing to Buenos Aires, pizzerias are everywhere. But what are the origins of this food, and how did it become so popular? Reading Luca Cesari’sbook made me hungry not only for a thin crust margherita but also to digest the wealth of information about this simple dish. The margherita gets its name from Queen Margherita of Savoy, who, in 1889, on a visit to Naples, summoned Raffaele Esposito, the celebrated pizzaiolo (pizza-maker and hawker) to the palace to try his wares. She so liked the one with tomato, mozzarella and basil (made to represent the

The reluctant spy: The Predicament, by William Boyd, reviewed

According to the literary critic Harold Bloom, male writers have daddy issues. So keenly do they feel the oppressive influence of their forefathers that when they take up the pen it is to use it as a sword. To produce something new, they must engage their predecessors in a writerly duel to the death. Bloom’s examples are all very highbrow – Blake vs Milton, Keats vs Shakespeare – but the theory applies across the literary spectrum. When William Boyd sits down to write a new spy novel and, removing his pen from its sheath, looks up to assess the field, it is (among others) the faces of Ian Fleming and