Book Reviews

Our reviews of the latest in literature

Who’s who and what’s what

Asked to name a reference book, you may well choose the Encyclopaedia Britannica or the 20-volume Oxford English Dictionary. But perhaps you’d pick something less elephantine — the Guinness Book of World Records, with its tributes to figures such as Smudge, holder of the record for most keys removed from a keyring by a parrot, or Brewer’s Dictionary of Phrase and Fable, which informs us that the Russian equivalent of ‘to carry coals to Newcastle’ is ‘to go to Tula with one’s own samovar’. The American literature professor Jack Lynch has spent a large part of his life exploring the world of reference books, and in its darker corners has

Running the triple crown

The story of the Czechoslovak runner Emil Zátopek is a tale from athletics’ age of innocence. Without the aid of qualified coaches, state-of-the-art equipment or ‘performance-enhancing’ drugs, Emil Zátopek set no fewer than 18 world records over distances between 5,000 and 30,000 metres with a style memorably described as that of ‘a man wrestling with an octopus on a conveyor belt’: all eccentricity above the waist, all efficiency below it. Brought up in poverty, he ate when he could and what he could, and treated beer as a prototype isotonic drink. His sporting career was set in the brief period of dominance of his specialist events enjoyed by runners from

Escape from the hood

The author of the bestseller Between the World and Me and recipient of a MacArthur ‘Genius Grant’ last year, Ta-Nehisi Coates is a much-lauded African-American journalist on the Atlantic, best know for his trenchant 2014 essay making the case for reparations for black Americans. A bona fide heir to the mantle of ‘hip-hop intellectual’ (last claimed with any credibility by Michael Eric Dyson), Coates is a rara avis, able to move with ease between Rakim, Q-Tip, W.E.B. Du Bois and Booker T. Washington. The Beautiful Struggle, written in 2008 but only now published in the UK, is a memoir of the writer’s perilous journey from boyhood to manhood in inner-city

Women and song

Just a few weeks ago, Germany’s VAN magazine published an interview with the composer Olga Neuwirth. In it she describes her early career in the 1980s and ’90s — a ‘lone’ female voice in the ‘wilderness’ of classical music. So far, so sadly, so frustratingly predictable. But then she turns to the current situation and things become rather more startling. ‘I think it has become nastier,’ she says: A more ‘elegant’ chauvinism prevails… When a woman calls attention to injustices today her objections are often dismissed as hysteria… She is kicked out and declared an adversary without further explanation or discussion. We’re used to the idea that — in the

Gods and monsters

Although Nepal’s earthquake last April visited our television screens with images of seismic devastation, the disaster has probably had little impact upon the prevailing western impression of this country. For many the mountain state remains steadfastly exotic and remote. This is not just a consequence of those sublimely unattainable Himalayan peaks. For generations Nepal was a source of western fantasy that bordered on the obsessive and carried an undercurrent of late-imperial eroticism. What had so stirred European appetites was the long-standing Nepalese policy of playing hard to get. A short, bitter conflict in 1814–1816 with the East India Company inspired its militant Gurkha elite to pursue the rigorous exclusion of

Chance would be a fine thing

If I prang your car, we can swap insurance details. In the past, it would have been necessary for you to kill me. That’s the great thing about money: it makes liabilities payable and blood feud unnecessary. Spare a thought, then, for the economist Robin Hanson, whose idea it was, in the years following the attacks on the World Trade Center, to create a market where traders could speculate on political atrocities. You could invest in the likelihood of a biochemical attack, for example, or a coup d’etat, or the assassination of an Arab leader. The more knowledgeable you were, the more profit you would earn — but you would

A clash of two cultures

‘They fuck you up, your mum and dad.’ Philip Larkin’s most famous line has appeared in the Spectator repeatedly, and there has even been a competition devoted to its refutation. Steve Jones, though, thinks it too coarse to be quoted in what he himself describes as a popular science book. This is just one of many indications of the way in which this book is haunted by C.P. Snow’s two cultures. I was a bit shocked to see Jones describe his book as popular science because I had been under the impression that he thought it was, in part at least, a history book. As a popular science book, it’s

All is not lost | 5 May 2016

Marina Lewycka’s latest happy-go-lucky tale of migrant folk in Britain takes a remark by the modernist architect Berthold Lubetkin as its epigraph: ‘Nothing is too good for ordinary people.’ In the vertical community within one of Lubetkin’s postwar blocks of flats in East London we meet hapless Bertie, resting actor caught on the hop by the spare-bedroom tax; disabled Len, thinking positive about his benefit reassessment; Violet, dreaming of her childhood in Kenya at her desk in a City insurance firm; and many more — some powering ahead in our new age of golden job opportunities and zero-hour contracts, others not so much. In fact, after his mother’s death, Bertie

The American dream goes bust

One happy aspect of Lionel Shriver’s peek into the near future (the novel opens in 2029) is the number of unusually rounded elderly characters she presents. Her pitiless eye notes every mark of age and vanity in the older generation of the Mandible family, but they remain in robust health, sharp without being merely spry, and full of personality. They have too much life as far as the younger family members are concerned, waiting impatiently for the wealth to trickle downwards. Jayne and Carter, already in their sixties, will be disappointed, for Shriver’s doomsday scenario concerns a catastrophic devaluation of the dollar which wipes out the family fortune overnight. The

Black mischief among the Medicis

In a recent interview, the African American actor Wendell Pierce revealed he had once been told by the head of casting at a Hollywood studio: ‘I couldn’t put you in a Shakespeare movie, because they didn’t have black people then.’ The story was repeated on social media with a mixture of horror and hilarity, many responding — as Pierce himself did — ‘You ever heard of Othello?’ Yet the head of casting’s comments represent a common misconception and a significant gap in historical memory. Black Africans have been a visible presence in European life for centuries — and not only as slaves. In the 16th century, there were black musicians,

Mao devours his foes

Frank Dikötter, professor of humanities at the University of Hong Kong and winner of the Samuel Johnson prize in 2011, is the author of many studies on China, most notably two on Mao’s dark rule. This new book completes the trilogy. The first volume, The Tragedy of Liberation, made plain, more exhaustively than previous accounts, that from the beginning of his time as Chairman, Mao was paranoid and murderous, and that Zhou Enlai and Deng Xiaoping egged him on. The second volume, the prize-winning Mao’s Great Famine, examined, in characteristic detail, the Chairman’s responsibility for the 1959–1961 famine, which killed 30 to 50 million Chinese. Now we are shown that

Broken and mad

In the final months of 1914, medical officers on the Western Front began seeing a new kind of casualty. Soldiers who had no physical injury were displaying a wide range of alarming symptoms. Some appeared to be completely dazed or were shaking uncontrollably, others had lost their sense of taste or smell, or were suffering from blindness, mutism and various kinds of paralysis. It was not until February 1915 that the term ‘shell shock’ first appeared in print, in the Lancet. It was originally intended to describe a physical condition in which the brain had been damaged by the percussive effects of high explosives, but was subsequently adopted to describe

Reclaiming Nietzsche

Had you been down at Naumburg barracks early in March 1867, you might have seen a figure take a running jump at a horse and thud down front first on the pommel with a yelp. This was Friedrich Nietzsche, midway through his 23rd year and, thanks to a sickly childhood, no stranger to hospitals. Nietzsche lost part of his sternum, leaving him not so much pigeon-chested as angle-grinded. Once recovered, he celebrated by having his picture taken in full uniform, sabre at the ready, glaring at the ‘miserable photographer’ like a warrior set for battle. Daniel Blue regards the photo as ‘unflattering’ — though it’s nowhere near as unflattering as the picture

The death of the author

The ‘journey’ — at least the one played out in public — begins with an announcement that you are incurable. Patient waiting follows, described in monthly essays written for a respected publication. Jenny Diski (non-small cell adenocarcinoma, London Review of Books) calls this personally singular but culturally familiar experience the race from ‘the Big C to the Big D’. Surely the hope is not to reach the end in the fastest time. But if you take too long, your audience’s sympathy might tinge with suspicion, as Clive James (B-cell lymphocytic leukemia, the Guardian) recently described, now a survivor of several years. Claiming a title for your cancer memoir has also

Reading the waves

Water accounts for 70 per cent of your planet, and 60 per cent of your body. Yet when do you ever stop to consider it? The quirks and habits and secrets of good old H2O were crying out to have a book written about them. That said, it had to be written by the right person. A subject like this could have attracted a complete dullard, the sort of person you dread getting between you and the door at a party. Fortunately, the job went to Tristan Gooley. His previous books include The Walker’s Guide to Outdoor Clues and Signs and The Natural Navigator. There’s more of the same here,

The mother of all crimes

During the heatwave in the summer of 1895, the Gentlemen v. Players match at Lords Cricket Ground on 8 July attracted more than 12,000 spectators. Among the crowd that sunny day were two little boys from the East End of London, brothers Robert and Nattie Coombes, aged 13 and 12. That morning they had got themselves up and prepared their own breakfast. Their mother was in the house, but she wasn’t able to see to her boys, because during the night Robert had killed her. He had stabbed her with a knife bought expressly for this purpose and then, just to be sure she’d perished, put a pillow over her

The spaces in between

The unfinished is, of course, something which tells us about the history of a work of art’s creation. A work of art may have been interrupted by the artist’s death, as with the paintings that Klimt left behind in his studio. Or it may simply have been abandoned when a patron failed to fulfil his obligations, or the painter had grown bored with the subject and moved on to something else. These spaces and gaps give us a glimpse of an artist at work and invite us to speculate about what Mondrian, for instance, was doing abandoning the 1934 ‘Composition with Double Lines’ or Cézanne the 1898 ‘Bouquet of Peonies’.

Symbols of eternity

On the banks of the River Thames in central London, an ancient Egyptian obelisk, known as Cleopatra’s Needle, reaches towards the sky. Carved from a single slab of red granite, it is 69 feet tall, weighs a substantial 224 tonnes, is decorated with hieroglyphs, and was made for the Pharaoh Thotmes III in 1460 BC. In 1877, six sailors lost their lives transporting the obelisk from Alexandria. Mohammed Ali, Viceroy of Egypt, gave it to the Prince Regent in thanks for the British victories over the French at the Battle of the Nile and Battle of Alexandria. The Cleopatra, a specially designed iron cylinder container, was used to carry it,