Book Reviews

Our reviews of the latest in literature

A Blakean heaven or hell: fish with coloured lanterns and teeth like primeval beasts

Sometime in the early 1940s, when he was living in exile in LA, Thomas Mann picked up a copy of the National Geographic. Leafing through it, he found an article whose strapline was a Jules Verne novel in summary: ‘Half a Mile Down: Strange Creatures, Beautiful and Grotesque as Figments of Fancy, Reveal Themselves at Windows of the Bathysphere.’ Next to dark, exotic images of what appeared to be alien life from the abyssal depths of the sea was an account of how the author, a scientist named William Beebe, had become the 20th century’s first aquanaut in exploits so sensational that live radio broadcasts were made of his dives,

Barbara Ker-Seymer – Bright Young Person in the shadows

English Modernism was graced by five daring and gifted women who were in many respects well in advance of their native male counterparts: Virginia Woolf and Anna Kavan in prose, Edith Sitwell in poetry, Elisabeth Lutyens in music and Barbara Hepworth in sculpture. Barbara Ker-Seymer is not remotely in this class. She took some attractive photo-portraits before the war in her studio above Asprey’s and that was it. After leaving St Paul’s Girls’ School, Barbara was soon drinking, drugging and dancing round town Not that Barbara cared. Though trained at the Chelsea School of Art, she had a deprecating attitude to her activity which was characteristic of English amateurism and

The immigrant’s experience of Europe

Meet Ibrahim, from Syria. He fled Aleppo just before the bombs began to fall. A clean $4,000 in cash to a smuggler got him a fake passport and, voilà, a ticket to Europe – briefly in Greece, then in Germany (‘the people, they looked different’), now in Spain. Immigrant life was tough at first: the strange language, the alien norms, the overt racism. ‘He was not on their level. Just a refugee.’ Then a lucky break. He starred in a homemade porn video that went viral: ‘100 per cent real Arab bull.’ Next, he’s earning close to a seven-figure salary, owns a flash car and has women dripping off his

Remembering Dido – and the fate of Carthage

It is a curious fact that between the foundation of Tunis by the Arabs in the 7th century and the foundation of Tel Aviv in the early 20th century no major cities were created on the shores of the Mediterranean. Even those cities were not quite new: Tunis, as Katherine Pangonis points out, was partly constructed out of rubble from Roman Carthage, situated nearby; and Tel Aviv originated as a Jewish suburb of Jaffa. Nor were ancient Mediterranean cities as sizeable as we imagine. Only Rome, Alexandria and Constantinople can be called megalopolises, and Constantinople lies much closer to the Black Sea than the Mediterranean. Pangonis’s lively new book therefore

A visit from the devil: Russian Gothic, by Aleksandr Skorobogatov, reviewed

Like light from faraway stars, fiction from outside the Anglosphere may take decades to reach English-language readers. This sinister, indeed sulphurous, novella by a Belarus-born author was first published in Russian in 1991, and won major awards. Ilona Yazhbin Chavasse’s English translation, as creepily compelling as the book deserves, appears long after the contemporary hook that Aleksandr Skorobogatov embeds in his tale has lost its topicality. Recent events, however, make this fable of obsession, madness and violence timelier than ever. It almost vindicates a belief in Russian history and literature as an epic recycling of eternal themes. In a dismal Russian town lives Nikolai, a drifter and drinker on a

Frederic Raphael settles old scores with a vengeance

Last Post is a collection of reminiscences, anecdotes and a settling of old scores by Frederic Raphael in the form of imaginary letters to many of the people who have been part of his long life. You might expect a nonagenarian’s critical faculties to have ‘mellowed by the stealing hours of time’, but far from it. Raphael’s intelligence and acerbic wit are undiminished.  George Steiner suffers a sustained attack for being gauche, malicious and too obviously ambitious Those who have crossed his path will be aware of his ability to ‘verbalise easily’ and, as he himself confesses: ‘It is one of my failings that I know how to hurt people.’

Ireland’s most notorious murderer still casts a disturbing spell

Mark O’Connell was three years old when Malcolm Macarthur – a silken-tongued toff in a bow tie – went on his killing rampage in 1982, and 33 when he was released from prison in 2012. Eight years later, when he began this book, O’Connell describes stalking Macarthur around Dublin in the hope of securing the kind of interview that would cause Ireland’s most famous murderer to ‘tremble in terror and awe at the moral magnitude of his iniquity. I wanted to witness the breaking down of his ego defences, the revelation of some terrible emotional truth within’. His ambition recalls that of the Romantic essayist Thomas De Quincey, in relation

Sam Leith

Laura Cumming: Thunderclap

50 min listen

My guest in this week’s Book Club podcast is the art critic Laura Cumming. Her new book Thunderclap: A Memoir of Art and Life and Sudden Death talks about her fascination for the paintings of the Dutch 17th-century Golden Age, and in particular the entrancing work of the enigmatic Carel Fabritius. She tells me how her preoccupation links to the story of her artist father, why she thinks academic art historians too often miss the most important thing about paintings, and how looking at a work of art makes it possible to commune with the dead.

Julie Burchill

Pornography for the Boden set: The Missus, by E.L. James, reviewed

As an erstwhile fellow peddler of dirty books (Ambition, 1989), I’m in two minds about E.L. James. On the one hand, I’m glad that I never made money writing tosh which led legions of gullible women to collude in their own humiliation. Granted, my heroine had SOLD tattooed on her forehead, but so far as I know no murdering man ever used my book as an alibi, whereas, as Wikipedia puts it: Rough sex murder defence, also known as the Fifty Shades defence, is employed by some people accused of murdering a sexual partner who claim that the death occurred because of injuries sustained during consensual sex. Advocacy group We

Who laughed at Christopher Columbus when he said the world was round?

In 2020, an American pilot and daredevil named ‘Mad Mike’ Hughes launched himself in a homemade steam-powered rocket, hoping to achieve enough altitude to prove to himself that the Earth was flat. Unfortunately, the rocket crashed and Mad Mike was no more. ‘I’m not going to take anyone else’s word for it, or Nasa, or especially Elon Musk with SpaceX,’ he had once explained in an interview. ‘I’m going to build my own rocket right here and I’m going to see it with my own eyes what shape this world we live on is.’ In this way he became a martyr to the modern conspiracy theorist’s mantra: ‘Do your own

The woman who put the Spencer family on the map

The first woman to put the Spencer family on the map was not Diana, Princess of Wales, the youngest daughter of the 8th Earl Spencer, nor even Georgiana, Duchess of Devonshire, the elder daughter of the 1st. Rather, it was their Tudor forebear Alice, Countess of Derby, the subject of this absorbing biography by Vanessa Wilkie. Born at Althorp – then a modest, two-storey red brick manor house – in May 1559, six months into the reign of Elizabeth I, Alice was the youngest daughter of Sir John Spencer, a prosperous sheep farmer and sometime sheriff of Northamptonshire, and his wife Katherine, née Kytson. At the age of about 20,

M. John Harrison’s ‘anti-memoir’ is a masterpiece

It would be hard to categorise M. John Harrison as a novelist, and that is just the way he would like it. He may definitely have a foot in the camps of science fiction and fantasy – with fans including Neil Gaiman and the late Iain Banks – but he is not one for being pinned down, whether he steps outside those genres or not. Of his 1989 novel Climbers, he said: It isn’t about somebody who ‘finds himself’ through climbing, or who ‘becomes a climber’. It’s precisely the opposite of that: it’s about someone who in failing to become a climber also fails to find a self. And so

Ghosts from the past: Beethoven’s Assassins, by Andrew Crumey, reviewed

In an uncanny way, Andrew Crumey’s Beethoven’s Assassins reminded me of Vanity Fair. It has no epigraphs, but both these quotes nudged into my mind: ‘Come, children, let us shut up the box and the puppets, for our play is played out’; and ‘The world is a looking-glass, and gives back to every man the reflection of his own face’. I have admired Crumey’s work for decades. When I first returned to Scotland, I found it astonishing that there was a writer being talked about as ‘our’ Calvino or Borges when the enthusiasm generally was for Trainspotting. His latest novel is more like Umberto Eco in some regards, but is

The haunting power of 17th-century Dutch art

Laura Cumming writes about art with a painter’s precision. She’s been the chief art critic for the Observer since 1999. Her fourth work of non-fiction, Thunderclap, is a beautifully illustrated memoir that intertwines biography, visual analysis and personal reflection. An eloquent homage to her artist father, James Cumming, and to the artists of the Dutch golden age, it explores the power of pictures in life and in death. Dutch art is less about things and the way they look, and more about feeling, mood, charisma Dutch art is a culture like no other, writes Cumming. ‘Which other nation wanted to portray all of itself in this way, its food and

Spirit of place: Elsewhere, by Yan Ge, reviewed

This collection of stories is so assured, and delivered with such aplomb, that it’s hard to believe it’s a debut – and, as it turns out, that’s because it isn’t. Although Elsewhere is Yan Ge’s first book written in English, she is a seasoned novelist in China, where she has been publishing fiction for more than 20 years. For the past decade, Ge has lived in Britain and Ireland, and the collection captures the spirit of both her birthplace and her adopted homes in a variety of registers. The stories set here have a whiff of autofiction to them, but transcend their origins with style and wit. In ‘Shooting an

In seven years, Lenin changed the course of history

The upheavals convulsing the Russian empire in 1917, Victor Sebestyen argues convincingly, were the seminal happenings of the past century. From them directly stemmed the second world war, the Cold War, the collapse of European imperialism and the dangerous world we inhabit today. There are many weighty modern accounts of these epochal events by historians such as Richard Pipes, Robert Service and Orlando Figes, and it is these that Sebestyen chiefly relies on in this brisk, well-informed and chilling account. He makes no pretence of original research. How did Trotsky’s childlike vision become a nightmare system, dependent on evil, oppression and violence?  ‘The Russian Revolution’ is something of a misnomer

What ‘pax’ meant in Rome’s golden age of imperialism

The Roman emperor Domitian began life as a spare. At the end of the 1st century CE, while his brother Titus was the heir to their father Vespasian, the younger boy’s ‘sense of resentment and frustration had festered’, writes Tom Holland. ‘Rather than stay in Rome, where his lack of meaningful responsibility was inevitably felt as something raw’, Domitian moved away with a wife whom his family disliked, ‘doomed forever to be a supernumerary’, paranoid, attracting gossip, avoiding any company in which ‘innocent mention of baldness’ might be viewed as ‘mockery of his own receding hairline’. In most judgments by posterity this Prince Harry of the early empire fulfilled all

Can the ancient Greeks really offer us ‘life lessons’ today?

Adam Nicolson’s seductive new book –a voyage around early Greek thought – opens with a lovely passage. Moored with his wife off the island of Samos, Nicolson rises at first light, with ‘only the cats awake’, to find that other boats have come in during the night and laid their anchor lines over his. Our action-man author dives in and swims down ‘the 12 feet or so to the sandy sea floor, hand over hand and link by link down the chain, looking for the tangle that needed to be undone’. It’s a metaphor for the task he sets himself in How To Be, which aims to separate out the