
Welcome to the new global theocracy
I had a revelation while watching the Olympics opening ceremony. It was during the infamous section that I (and almost everyone else) understood to be a reference to Leonardo da Vinci’s ‘The Last Supper’. A large woman in a halo-like headdress was flanked by various avant-garde performance artists, including three drag queens. These, presumably, were the disciples. The table then turned into a catwalk and we were treated to a fashion show featuring representatives of the LGBT community, culminating in a naked man covered in sparkly blue paint. Sacré bleu! ‘This is France,’ tweeted Emmanuel Macron afterwards, apparently satisfied that this performance, like the rest of the opening ceremony, had
