Projecting Thatcher
‘The Iron Lady’ and the Iron Lady I knew The Iron Lady is a cruel film: brutally unsparing in its depiction of the hazards of old age. I was ready to be angry and to believe that, like jackals, Hollywood lefties were closing in on an aged lioness, safe in the cowardice of assailing the vulnerable, overlooking in their sniggerings the obvious point. In her prime, one roar, and they would all have fled in terror. Those suspicions were unjustified, for this is cruelty in the pursuit of art. The outcome is cinematographic power. It is a work of force and pathos. For most of the time, I was enthralled;
