The arts world wants Labour
A pang of melancholy as I detach the Royal Albert Hall pass from my BBC lanyard. I had a similar feeling late on Saturday night as I watched our team of engineers start to take down the hundreds of microphones that have enabled us to broadcast the Proms live each night on Radio 3. It has been a remarkable two months of music-making. The last season was curtailed by the death of the Queen; Covid infected the mood and scale of the 2020 and 2021 festivals. This time around, from my eyrie in the radio commentary box at the back of the side stalls, or the television studio high up
