Arts

Arts feature

Crescendo of polyphony

Peter Phillips on a Zambian chamber choir which decided to perform Byrd, Tallis and Tippett As calling cards go, renaissance polyphony would not seem to promise a ticket to anywhere much, unless to heaven. When I started giving concerts in 1973, the received wisdom on the subject, even in the UK, was that whole concerts

More from Arts

American beauty | 30 April 2008

The American Scene The British Museum Coming of Age: American Art, 1850s to 1950s Dulwich Picture Gallery Although the potent influence of all things American has had a pernicious not to say deleterious influence on street culture and social attitudes in Britain, American art of the last century has offered a stimulus to many and

Slump fever

Gone With the Wind  New London Theatre How did they get it so wrong? Turning chicklit’s greatest story into a hit musical should have been a doddle. Just put the characters on stage and let the warm romantic breeze of the narrative carry you safely home. And that’s exactly what Trevor Nunn has done and

Tired old friend

Iron Man 12A, Nationwide Iron Man is a Hollywood superhero blockbuster and probably the first of a franchise, even though it already feels like the 64th. These movies are always, in their way, whopping piles of junk, but they can be hugely enjoyable whopping piles of junk. The first Superman with Christopher Reeve, Tim Burton’s

Feeble Fidelio

Fidelio Teatro Real, Madrid For all its glories, Madrid is not a city that one associates with great opera performances, as one does Barcelona. Perhaps it’s not surprising: it’s only 11 years since the new Teatro Real opened, after delays on a British scale. The previous house had sunk in 1925, and the new one

Changing perspectives

‘Could you account for everything that surrounds you in the course of a single second?’ asks one of the characters in Peter Ackroyd’s first play for radio, Chatterton: The Allington Solution (Thursday). ‘All the intentions, the wishes, motives, perceptions, judgments that swirl around any one of us.’ It’s a provocative question. And especially now in

Jane’s sex problem

I’m always on the lookout for writers who’ve had well-paid, fun, fulfilled lives but I hardly ever find them. Jane Austen, for example. You’d think that the very least God would have given her in return for Emma and Pride and Prejudice would have been a single man in possession of a good fortune, a