In a recent interview, the African American actor Wendell Pierce revealed he had once been told by the head of casting at a Hollywood studio: ‘I couldn’t put you in a Shakespeare movie, because they didn’t have black people then.’ The story was repeated on social media with a mixture of horror and hilarity, many
On 10 April 1772, the biographer James Boswell recorded in his diary that he had hugged himself with pleasure on discovering he would be dining with Oliver Goldsmith. This was not because he hoped to elicit from the Irish-born writer some fruity details for the life of Dr Johnson, the dictionary-maker, that he was planning
How many debut collections does it take to stand up to one of the most accomplished short-story writers of the past half-century? In this case, it’s three against one. Under the Rose is Julia O’Faolain’s first short-story collection in over 20 years, bringing together stories published between 1968 and 2006. Danielle McLaughlin follows in her
Asked to name a reference book, you may well choose the Encyclopaedia Britannica or the 20-volume Oxford English Dictionary. But perhaps you’d pick something less elephantine — the Guinness Book of World Records, with its tributes to figures such as Smudge, holder of the record for most keys removed from a keyring by a parrot,
The story of the Czechoslovak runner Emil Zátopek is a tale from athletics’ age of innocence. Without the aid of qualified coaches, state-of-the-art equipment or ‘performance-enhancing’ drugs, Emil Zátopek set no fewer than 18 world records over distances between 5,000 and 30,000 metres with a style memorably described as that of ‘a man wrestling with
The author of the bestseller Between the World and Me and recipient of a MacArthur ‘Genius Grant’ last year, Ta-Nehisi Coates is a much-lauded African-American journalist on the Atlantic, best know for his trenchant 2014 essay making the case for reparations for black Americans. A bona fide heir to the mantle of ‘hip-hop intellectual’ (last
Just a few weeks ago, Germany’s VAN magazine published an interview with the composer Olga Neuwirth. In it she describes her early career in the 1980s and ’90s — a ‘lone’ female voice in the ‘wilderness’ of classical music. So far, so sadly, so frustratingly predictable. But then she turns to the current situation and
Mysteries abound here — enigmas of identity and betrayal, long-buried secret transactions leading to quests — for a lost child, an abandoned wife, a missing mother… The Bones of Grace has a narrative as fragmented as a scattered jigsaw, initially puzzling, with seemingly disparate stories slowly coming together one by one, until the moment a
Although Nepal’s earthquake last April visited our television screens with images of seismic devastation, the disaster has probably had little impact upon the prevailing western impression of this country. For many the mountain state remains steadfastly exotic and remote. This is not just a consequence of those sublimely unattainable Himalayan peaks. For generations Nepal was
If I prang your car, we can swap insurance details. In the past, it would have been necessary for you to kill me. That’s the great thing about money: it makes liabilities payable and blood feud unnecessary. Spare a thought, then, for the economist Robin Hanson, whose idea it was, in the years following the
‘They fuck you up, your mum and dad.’ Philip Larkin’s most famous line has appeared in the Spectator repeatedly, and there has even been a competition devoted to its refutation. Steve Jones, though, thinks it too coarse to be quoted in what he himself describes as a popular science book. This is just one of
Marina Lewycka’s latest happy-go-lucky tale of migrant folk in Britain takes a remark by the modernist architect Berthold Lubetkin as its epigraph: ‘Nothing is too good for ordinary people.’ In the vertical community within one of Lubetkin’s postwar blocks of flats in East London we meet hapless Bertie, resting actor caught on the hop by
One happy aspect of Lionel Shriver’s peek into the near future (the novel opens in 2029) is the number of unusually rounded elderly characters she presents. Her pitiless eye notes every mark of age and vanity in the older generation of the Mandible family, but they remain in robust health, sharp without being merely spry,
