Tiffany Jenkins talks to James Cuno about looting, exporting and owning antiquities James Cuno is a busy man. I pin him down between two projects: promoting the new Modern Art Wing at the Art Institute of Chicago, opening next year, where he is president and director, and the launch of his new book Who Owns
Chekhov, Louisa M. Alcott, Kafka and co. wrote them for money; thinking of them as a lucrative money-spinner to keep their families in bread and potatoes. Now they usually yield so little money from magazines and book publishers that very few writers devote themselves to perfecting the art of the short story (at least in
It’s easy to see the way opera Inszenierung is going. We are in for a spate of US-located productions, just as we emerge from 19th-century industrial locations and nondescript car parks. Hollywood, Las Vegas, the prairies, Texas oilfields and the omnipresence of TV, something we are hardly likely to forget, are where Poppea, Giulio Cesare,
WALL.E, the latest CGI animation from Pixar in collaboration with Disney, has already been hailed as a ‘modern masterpiece’ — in America, at least — but I’m not so sure. It has a cracking, enthralling, wonderfully dystopian first half, but after that it appears mostly concerned with hurtling towards one of those predictable endings that
The Royal Court’s search for new scripts has gone global. Its tireless talent scouts, assisted by the British Council, fan out across France, Spain, Russia, Nigeria, Syria and Mexico laying on seminars, workshops and ‘residencies’. They go to India, too, although quite why the Court spends energy nurturing dramatists in a country with the world’s
Art Nouveau, or Jugendstil as it was called in Germany, came rather late to Austria, where it was sometimes called Sezessionstil. Gustav Klimt was a leading light in the breakaway Austrian Secession movement founded in 1897. Only a fool would deny that he was an exceptionally gifted artist. He absorbed in turn 19th-century Realism, Symbolism
Before getting down to a discussion of Wyndham Lewis and an exhibition I’ve been looking forward to for months, I want to register a protest about this year’s recipient of the Wollaston Award at the Royal Academy Summer Exhibition. This prestigious prize is worth £25,000 and thus ranks with the Turner Prize as a top
IT would have been fun to be at the planning meeting for Harley Street (ITV, Thursday), the new medical drama series about a group of stunningly good-looking doctors in private practice. ‘Look, we get all the bloody bits, the emotional traumas, and the scenes where someone’s pushed down a hospital corridor on a trolley at
How far will the proposed road tax changes influence what we actually buy in the new car market? Not as much, perhaps, as the government likes to think. After all, if you want something like the admirable Fiat Panda you are never going to look at the (differently admirable) Audi A8 anyway. It’s those in
If your ears go back, like a frightened horse, at the word ‘conceptualism’ when applied to modern art, you may not be very pleased to know that this is a hot topic in landscape design at the moment. If your ears go back, like a frightened horse, at the word ‘conceptualism’ when applied to modern
