Arts

Arts feature

Ayckbourn’s unflinching gaze

Veronica Lee profiles the playwright as the Old Vic revives his best-known work Alan Ayckbourn, so theatre lore has it, is the second-most performed British playwright after Shakespeare. So why has he become so unfashionable among theatre cognoscenti? Partly, it’s his own doing. In 2002, disillusioned by the musical-laden, drama-free territory it had become and

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Man as machine

Cold War Modern: Design 1945–1970 V&A, until 11 January 2009 It’s difficult not to admire the ambition of the V&A in mounting exhibitions which summarise and explain the great historical movements in design. There have been notable successes in the past, particularly with their surveys of Art Nouveau and Art Deco, but the closer the

Peak performance

Ivanov Wyndham’s Theatre Now or Later Royal Court Rain Man Apollo Great directors have the power to alter taste. Michael Grandage’s avowed aim with this revival of Ivanov, which opens the Donmar’s year-long residency at the Wyndham’s, is to secure the play a permanent place in the repertory. But even a director as sure-footed as

Nanny knows best

Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could ever leave England for good. Although I waste a lot of time these days gazing longingly at advertisements for luxury cruises in the Daily Telegraph, I don’t think I could

Make do and mend

Otello Welsh National Opera, Cardiff La fanciulla del West Royal Opera House Otello, for me the most perfect though not the greatest of Verdi’s operas, continues Welsh National Opera’s survey of his late works, in a new production by Paul Curran. The first night was a much tamer affair than it should have been, though

A unique acoustic

Robin Holloway on the unique orchestra layout that produces the Festspielhaus’s unique acoustic There was no space in my report last month, on a first visit to the Bayreuth Festival, for what was in retrospect its most exciting quart d’heure, a privileged informal investigation of the unique orchestra layout that produces the Festspielhaus’s unique acoustic.

Sense of occasion

The first Rolls-Royce I drove was a 1960s Shadow, across the Cairngorms on the glorious A939 to Tomintoul. It was a memorable drive, clear skies, snow-capped mountains, little traffic. When we returned to his Speyside house the owner suggested I try his Jaguar XJ6, which he thought a better drive than the Shadow. It was:

Television

Other people’s lives

There was a sad moment in The Family (Channel 4, Wednesday) this week when Dad, the very long-suffering Simon Hughes, is inspecting his daughters’ bedroom, and doesn’t like what he sees. He has been assured that the room is neat and clean, so he responds with a blast of sarcasm. ‘Oh, look at this tidy,

Cinema

A cliché too far

Taken 15, Nationwide Taken is the latest film from the French film-maker Luc Besson and is about American, ex-CIA agent Bryan Mills (Liam Neeson) who turns Paris upside down — ‘I’ll tear down the Eiffel Tower if I have to!’ — in his search for his abducted, 17-year-old daughter, Kim, although, personally, I wouldn’t have