Arts

Music

The last radical

A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner. Debussy’s relationship with Wagner began with infatuation, and ended (as so often) in open rebellion. The young decadent who declared Parsifal ‘one of the loveliest monuments of sound ever raised to the serene glory of

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Judas Priest: Firepower

They’re still alive, then. Chuggedy-chug, grawk, screech screech, chuggedy-chug. First mention of demons — line one, song two. Song one is about blowing people to bits with firepower, cos they’re really EVIL. There are spurts of lead guitar that sound like knives slashing at an empty plate and those strange, pompous, strangulated vocals — operatic

Heaven and earth | 28 March 2018

In Nicolas Poussin’s ‘Noli Me Tangere’ (1653) Christ stands with his heel on a spade. He appears, in his rough allotment smock and sandals, to be digging up carrots. In Abraham Janssens oil painting (c.1620), Christ strides among parsnips and pumpkins, cauliflowers and marrows. Mary Magdalene kneels in an artichoke bed. In Fra Angelico’s fresco

Theatre

Rising star

The Plough and the Stars by Sean O’Casey looks at the Irish nationalist movement during the events of Easter 1916. The setting is a Dublin tenement where the residents exchange gossip and insults and sometimes punches. What begins as an elevated soap opera develops into a tragedy of vast and harrowing proportions. Sean Holmes’s production

Opera

The lady vanquishes

At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but pleasantly beginning at 3 p.m. This is the fourth outing of Phyllida Lloyd’s 2002 production, and the finest by a long way, though each of the previous series had its merits. If my memory serves

Television

Village voice

Sometimes — really not often but sometimes — a programme that’s good and honest and true slips under the wire of the BBC’s jealously guarded PC agenda and makes a home run. The latest to do so is a deadpan comedy series called This Country (BBC3). It’s so deadpan that it’s easy to see why

Exhibitions

Water, water, everywhere | 28 March 2018

‘Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG, Dong, BANG, Clatter, BANG BANG BANG!’ is how Charles Dickens transcribes the sound of 1,200 men building the first iron-clad frigate Achilles at the Royal Dockyard, Chatham, in the 1860s. A Chatham boy, Dickens lived to see — and hear — the age of sail

Cinema

All bark and no bite | 28 March 2018

The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a screening in London earlier this week for owners and their dogs I took my own dog, Monty. He said he liked it. It was ‘good’, he said. I did not especially trust his opinion so

Radio

Of innocence and experience

It’s a tough listen, Paradise Lost on Radio 4 at the weekend. In bold defiance of the demands of a broad audience, Milton’s 10,000 lines of high-flown, complex verse runs for two-and-a-half hours (broadcast in two parts on Saturday and Sunday). You need to concentrate and take in every word, not be busy with something