In Competition No. 2984 you were invited to follow in the footsteps of Green Day and Moby and provide Donald Trump’s detractors with a protest song. Where’s Woody Guthrie when you need him, you might ask. Well, as it turns out, the Dust Bowl Troubadour was well acquainted with the Trump family. Literary scholar
In Competition No. 2983, an assignment inspired by W.W. Jacobs’s macabre mini masterpiece ‘The Monkey’s Paw’, you were invited to supply a chilling short story featuring an animal’s body part. Brian Allgar’s tale about Donald Trump, a stallion and a DIY organ transplant operation was an unlucky loser. The winners, printed below, £25 each. The
In Competition No. 2982 you were invited to recast John Masefield’s ‘Sea Fever’ in light of the news that the poet suffered from acute seasickness. In his book Sea Fever, Sam Jefferson relates how as an apprentice seaman aboard the Gilcruix, the unfortunate Masefield was struck down by a brutal bout of mal de
In Competition No. 2981 you were invited to submit a poem about a politician and an item of clothing. Michael Foot’s donkey jacket; Harold Wilson’s Gannex mac; William Hague’s baseball cap; Hillary’s pantsuit: all featured in what was a cracking entry. I especially enjoyed Fiona Pitt-Kethley opening line on Theresa May’s leathers: ‘Her look’s
In Competition No. 2980 you were invited to submit an extract from a politician’s speech ghostwritten by a well-known comedian. At the 1990 Tory party conference in Bournemouth, Margaret Thatcher famously appropriated Monty Python’s Dead Parrot sketch to mock the Liberal Democrats’ new flying bird logo. But although Mrs T. gamely went along with
In Competition No. 2979 you were invited to supply your contribution to a series of parodies of Enid Blyton’s Famous Five stories that have just been published which re–imagine the five as adults — or to give another children’s classic the same treatment. Everyone loves a spoof, it seems, to judge by the phenomenal success
In Competition No. 2977 you were invited to submit a selection of meaningless, pseudo-profound statements. Bullshit was defined in a 2005 essay by the philosopher Harry G. Frankfurt as being characterised by a lack of concern for the truth, as distinct from a deliberate intent to deceive (i.e. lying). Which makes this the ideal comp
In Competition No. 2977 you were invited to submit a Christmas carol with a topical twist. ‘In the bleak midwinter’ just about captures the general tenor of the entry, although George Simmers injected a lighter note with his invitation to ‘Deck Ed Balls with boughs of holly…’ and W.J. Webster, too, was looking on the
In Competition No. 2976 you were invited to submit an extract of a speech in which a well-known figure from history comments on a pressing item on today’s news agenda. Rob Stuart gave Pythagorus’ view on the new Toblerone (not a fan); Frank Upton offered Thomas Crapper’s perspective on transgender public conveniences; and Michael
In Competition No. 2975 you were invited to supply your own nine-line twist on Robert Herrick’s ‘Upon Julia’s clothes’: Whenas in silks my Julia goes Then, then, methinks, how sweetly flows That liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free, O how that
In Competition No. 2974 you were invited to submit a resignation letter from God. Despite mankind’s attempts to kill Him off, God has continued to bounce back. ‘The Almighty,’ as Terry Eagleton puts it in his book Culture and the Death of God, ‘has proved remarkably difficult to dispose of.’ But what if He
In Competition No. 2973 you were invited to give your thoughts, in verse or prose, on who the Person from Porlock might have been — assuming, of course, that there was such a person. Many thanks to John McGivering, who suggested this excellect competition. Some fingered, as De Quincey did, Coleridge’s doctor and laudanum source.
In Competition No. 2972 you were invited to supply an ode on a Grayson Perry urn. Frank McDonald wasn’t keen: ‘Do Grayson Perry urns deserve an ode?/ Has modern art not shamed the Muse enough?/ That looks for beauty in a tortured toad/ And loads our galleries with frightful stuff?’ Elsewhere, the entry was chock-full
In Competition No. 2971 you were invited to submit poems written by Jeremy Corbyn. The seven printed below take £20 apiece but oh, for more space: there were so many terrific entries. Honourable mentions go in particular to Brian Murdoch, Paul Carpenter, John Whitworth, Rip Bulkeley and Josh Ekroy. Shall I compare thee to Teresa
In Competition No. 2970 you were invited to supply an extract from an Ig Nobel Prize-winner’s speech that describes the ‘achievement’ (invented by you) being honoured. The Igs are spoof awards handed out annually at Harvard for scientific achievements that manage to be both hilarious and thought-provoking. In 2014’s Neuroscience category, for example, the award
In Competition No. 2969 you were invited to submit a poem about autumn in the style of the poet of your choice. It was a stellar entry so I’ll keep it brief to make way for an extra winner. Those printed below take £20 each; D.A. Prince nabs £30. High fives all round. Oh Autumn,
In Competition No. 2968 you were-invited to take the title of a short story by Ted Hughes, How the Whale Became, substitute-another animal or fish for ‘whale’ and provide a tale with that title. This comp was an absolute delight to judge. There were oodles of well-turned entries bursting with charm. Well done. Special mention
In Competition No. 2967 you were invited to submit an article written by the author of your choice under the headline ‘If I were Prime Minister’. In a fascinating 1959 essay written for The Spectator under that headline, Ian Fleming proposed, among much else, a combination of ‘benevolent Stakhanovism’ in the workplace and the conversion
In Competition No. 2966 you were invited to filter popular nursery rhymes through the prism of political correctness. Some years ago, CBeebies came under fire when it took all the fun out of ‘Humpty Dumpty’ by changing the words to give it a happy ending. And it wasn’t just Humpty;-Little Miss Muffet and the spider
In Competition No. 2965, an enormously popular one, you were invited to write a poem about a verse form, written in that form. It was Edna St Vincent Millay’s sonnet-about-the-sonnet ‘I will put Chaos into fourteen lines’ that inspired this challenge but there are other similar examples — Robert Burns’s fine ‘A Sonnet upon Sonnets’,