The trouble with Louis Theroux
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Grey rain slants down over the brown heather of the Lochaber hills, falling relentlessly into Loch Linnhe, and drenching the Caledonian Sleeper idling beneath my window on the platform at Fort William. November is technically still autumn, but already the long evenings of British Summer Time seem to belong to a different world. Pleasant as
This week's magazine
The dangers of the new occult
The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Ravel’s L’heure espagnole is set in a clockmaker’s shop and the first thing you hear is ticking and chiming. It’s not just a sound effect; with Ravel, it never is. He was an inventor’s son, half-Swiss, half-Basque, and timepieces, toys and Dresden figurines were in his soul. For Ravel, they seem to have possessed souls