Film

Before I Go to Sleep prefers creepy car parks to feelings

Before I Go To Sleep is Rowan Joffe’s adaptation of S.J. Watson’s bestselling thriller of 2011, but whereas the book was smart, gripping, ingeniously plotted and had psychological depth — who are we, when we can’t remember who we are? — this is a disappointment on so many levels. It’s not as if it’s even set in Crouch End, north London, any more. According to my press notes, Crouch End was not deemed sufficiently ‘cinematic’, which has to be upsetting, if you live in Crouch End, as I do, and have always said to people, ‘Come on over. You’ll love it. It’s just so very cinematic round here’, but there

The enigma of Werner Herzog

Strange things happen to Werner Herzog — almost as strange as the things that happen in his haunting, hypnotic films. In 1971, while making a movie in Peru, he was bumped off a flight that subsequently crashed into the jungle. Years later, he made a moving film about that disaster’s sole survivor. In 2006, while filming an interview with the BBC in Los Angeles, he was shot in the belly by some nutter with a small calibre rifle. Most film-makers would have been turned to jelly by this terrifying interruption; Herzog simply laughed it off, cheerfully dropping his trousers to reveal a bleeding bullet wound, and a natty pair of

Night Moves – the opposite of a Dan Brown film

Night Moves is a film by Kelly Reichardt, who also made the heart-wrenching Wendy and Lucy (2008), which may be one of my favourite films of all time. (If you don’t know it, go look it up; I’m old now, so no longer have the energy to educate you in these matters.) Her films, she has said, are ‘just glimpses of people passing through’ but whereas you or I would make a film about people just passing through which would be just that — everyday people would pass through, uninterestingly — her understanding of character and narrative and character as narrative is so profound, these ordinary people become wholly absorbing.

Citizen Brand

So it turns out the revolution will be televised after all. ‘Brand’, a full length documentary about the comedian turned political activist Russell Brand, is heading our way next year. The multi-millionaire comedian—who is dating a scion of the Goldsmith family—used a recent appearance on Newsnight to call for the overthrow of the state, claiming ‘profit is a filthy word’. It sounds like we are in for a treat: ‘This feature documentary film promises to follow his spiritual and biographical journey from comedian turned film star, and husband of pop star, to his present incarnation, following his realisation that he had, in Russell’s own words, “embraced the superficial and doped

Working with Dickie Attenborough

During my short and probably best forgotten acting career, I found myself on the pointy end of Dickie Attenborough’s camera on two memorable occasions. The first was a cough and a spit (well, maybe just a cough) as footman to Lady Churchill (Anne Bancroft) in Young Winston where the prospect of welcoming Mrs Robinson home was about as overwhelming as it gets for a fledgling actor with stars in his eyes. It was a tiny scene, pretty much all in long shot, but the time Attenborough spent ensuring that I and the other household staff knew the full context of it and how that knowledge might colour our unease as

Remember Richard Attenborough for his acting – not his directing

Jurassic Park has a lot to answer for. When I was growing up, I was convinced Richard Attenborough was a real dinosaur scientist. I was also convinced that Richard was David. When I became a bit older and wiser, and grew to realise there could be two Attenboroughs, I came to the conclusion that Richard might just be famous for being David’s brother. My problem with understanding how Richard fitted into the world was that, though he was ubiquitous, it wasn’t entirely clear to me (in the mid 90s) exactly why. Then I saw Brighton Rock… It’s a shame his later behind-the-scenes big-shot-ery so overshadowed his prolific earlier acting career. Between 1945 and 1971 he starred in

Lucy: the shoot-outs, car chases and mysteries of the universe

Here’s an idea for an article: The Tree of Life (2011) is the most influential film of the past decade. There’s quite a strong case to be made. Everything from car adverts to Hollywood blockbusters seems to have a touch of the Terrence Malick. They all span from cornfield to cosmos, from ant-hill to apocalypse, while characters breathe epigrams at each other about love and beauty and rebirth. This was true of last year’s Gravity and Man of Steel. It also looks true of Christopher Nolan’s forthcoming Interstellar. Just find a few more examples, work them into 1,000 words, and I’m sure The Spectator will pay a couple of hundred

Robin Williams in London

In 2001 I wrote a book called The Comedy Store (still available in some good bookshops – and quite a lot of bad ones) about the London comedy club that kick-started modern British comedy. The book was a bit of a mixed bag, but the best bits were where I shut up and let these comics talk about each other. And the comic they talked about most of all was Robin Williams. Their tales of seeing him perform for the sheer love of it, in front a few hundred tipsy punters, show what a great comic we’ve all lost. Robin Williams first played the Comedy Store in 1980, on a

What’s your favourite Robin Williams one-liner?

Mr S was saddened to hear of the death of Robin Williams — a man who contributed to the gaiety of nations. People wax lyrical about Williams’s ability to inhabit character; but Mr S is more impressed by his turn of phrase. Here are some Mr S’s favourite one liners:  ‘Cricket is basically baseball on valium.’ ‘Ah, yes, divorce – from the Latin word meaning to rip out a man’s genitals through his wallet.’ ‘One question for the Royal Family: all that money and no dental hygiene?’ ‘No matter what people tell you, words and ideas can change the world.’ ‘What’s right is what’s left if you do everything else

Hacking Trial: the movie

We may have had the verdicts and the sentences in the hacking trial, but the biggest question remains unanswered: who’s going to play everyone in the movie? There’s one clear and obvious frontrunner for the part of Rebekah Brooks: Bonnie Langford. Sadly, however, Ms Langford has heavy panto commitments and cannot be released for filming. So we’ll have to make do with a B-list purveyor of ginge instead – Nicole Kidman, perhaps, or Julianne Moore. (Cate Blanchett might have got a look-in if we’d avoided the temptation to base everything on the hair, but Brooks herself never did so why should we?) Andy Coulson should be played by Ewan McGregor,

The bits of Magna Carta that David Cameron won’t want taught in schools

The not-so-great charter David Cameron wants every child to be taught about Magna Carta. Some bits he might want to leave out: — ‘If one who has borrowed from the Jews any sum, great or small, die before that loan be repaid, the debt shall not bear interest while the heir is under age.’ — ‘No one shall be arrested or imprisoned upon the appeal of a woman, for the death of any other than her husband.’ Foul play Is there a correlation between bad behaviour from a country’s football team and violence in the country as a whole? WORST-BEHAVED TEAMS IN EUROPE Homicides per 100,000 people Ukraine 4.3 Romania

The starchy, conservative lawyer who freed every slave in England

Americans make movies about slavery and its abolition. In the past two years we’ve seen the Oscar-winning Twelve Years a Slave, based on a 19th-century slave narrative, and Django Unchained, with Christoph Waltz as a bounty-hunter who, uniquely among bounty-hunters of the period, did not make his living from capturing fugitive slaves. Spielberg’s Lincoln was about the Great Emancipator himself, as was the less historically rigorous Abraham Lincoln: Vampire Hunter. But the abolition of slavery in England has never received the same attention. Perhaps it is because abolition here came not through blood and glory, but through the common law; or perhaps because emancipation does not frame constitutional debates here

Dick-swinging filmmakers like Ken Loach constantly write real women and our struggles out of history

I hadn’t seen a Ken Loach film in years because I got sick of his schmaltzy sexism but yesterday decided to give him another try and popped along to see his latest, Jimmy’s Hall. Set in 1930s Ireland, it tells the true-life story of self-educated, community-serving James Gralton, who enraged the Catholic church and the local land owners by setting up a community centre that served as a meeting place for ideas and, God forbid, dancing. Perhaps he’s returned to form, I thought on my way to the cinema, and produced something gutsy like Cathy Come Home or Kes. These story lines usually warm my cynical old heart, so I approached Jimmy’s Hall

Why Ken Loach hasn’t made a decent film since Kes

‘If you want to send a message,’ said Sam Goldwyn, one of the men who invented Hollywood, ‘try Western Union.’ It is such a well-known remark one might have thought every film-maker of the past 50 years would have acted upon it. Not Ken Loach. After half a century of fighting the good fight on behalf of the poor, down-trodden working class, the grumpy Oxford graduate releases his latest film this week. Don’t all rush at once. Jimmy’s Hall, it will surprise nobody who has followed Loach’s work over the years to learn, pits an Irish socialist recently returned from America against the local priest. The screenplay, as ever with

Blue Ruin is unwatchable, bloody – but, from what I saw, rather good

Blue Ruin is a low-budget yet highly accomplished revenge thriller although whether you have the stomach for it is another matter. I do not have a strong stomach, as we know, and as I braced myself for the next startlingly bloody burst of violence, having yet to recover from the last startlingly bloody burst of bloody violence, I was often just longing for it all to be over. I like excellent film-making as much as the next person but, ideally, I would also like to be able to watch it. Stuff you don’t need to know but might like to: this has been a huge festival hit, winning several prizes,

Locke: a great excuse to gawp at Tom Hardy’s lovely neck

The ancients thought that the seat of female hysteria was the womb. My theory (just as credible) is that male charisma resides in the neck. The most magnetic films stars have always had impressive upper spines. Marlon Brando’s neck was so thick it was simply a continuation of his temples with only a jutting chin to betray the difference. While James Dean’s sudden bare nook between hair and leather collar is the definition of sexy vulnerability. Tom Hardy, one of the most exciting actors of the moment, is just as well endowed. His neck, playing the serial killer in Nicolas Winding Refn’s Bronson and a charming forger in Christopher Nolan’s

I Am Divine reminds me why I’ve always hated drag

It was early evening and I had not yet eaten, so I took a glass of wine and a packet of Haribos into the private screening of I Am Divine: the story of Divine. I touched neither, because early on in the film I felt a little sick. I’m unsure as to whether that queasiness was a result of the mention of dog excrement (more anon) or the scale of misogyny contained within its 90 minutes. Divine, aka Glenn Milstead, was an American actor, singer and drag queen who died in 1988 of a massive heart attack. Divine developed a name for himself as a female impersonator known for outrageous

Half of a Yellow Sun: only Freddie Forsyth and the Bodenesque tribalwear rescue this snoozefest

I’m not one of those who automatically think the book’s better than the film. Efficiency is a good thing and if a film can successfully cram 500 pages into two hours, it’s to be applauded. We all have things to do. So, I was looking forward to watching Thandie Newton and Chiwetel Ejiofor in a refresher course on Chimamanda Ngozi Adichie’s Orange Prize winner, Half of a Yellow Sun. The film, set in the late 1960s in Nigeria during the civil war, follows two twin sisters from a wealthy Igbo family. Olanna is headstrong and principled (a suitably brittle Newton) while Kainene is sassy and practical (a sexy Anika Noni

The Unknown Known: Errol Morris tries to trip up Donald Rumsfeld – and fails

Before getting onto the film I should make a few disclaimers. There is a popular view that Donald Rumsfeld was a catastrophic US secretary of defence. I do not share that view. There is also a view that his most famous phrase – about known knowns, known unknowns and so on – was a display of laughable ignorance.  I think it one of the best descriptions anyone has ever produced of the challenges posed by intelligence. And finally I suppose there is a school of people out there who shudder at the name. I’m not among them. As well as being a great public servant – both the youngest and oldest

Under the Skin: one second of tits to every three minutes of glen

‘I thought it was supposed to go on for another half hour!’ said a man in the foyer on the way out. ‘When the alien got burnt to death I thought thank fuck for that.’ Before you get annoyed with me for giving away the ending, let me explain that this is one of those films where plot takes a back seat. More than that, it’s been tied up, gagged and locked in the boot. I can’t stand it when people give away the ends of films, which is why I never read reviews before going to the cinema. Too many reviewers have no respect for plot. So I didn’t know that