Literature

Across the literary pages: Amis Asbo special

The promotional tour for Lionel Asbo: State of England has been suspiciously quiet. The fact that Martin Amis hasn’t sworn, bitched or nominated the queen as guinea pig for euthanasia booths stirred the press into feverish levels of anticipation. Had the OAP (Old Age Provocateur) finally lost his teeth? Or was he simply biding his time before biting back? A satire on Lionel Asbo – Wayne Rooney look-alike and dedicated chav –  and his lottery win, it seems written to offend … even without subplots involving teenage pregnancy (she &”was six months gone when she sat her Eleven Plus”), incest with a thirty-something year old granny, pit bulls and acid attacks.

Monsieur Hollande and Madame Bovary

François Hollande has had it with austerity. Well, fair enough — austerity is dull and painful. No wonder other European leaders are keen to follow his example. But perhaps Hollande should take heed of what happened to Flaubert’s Madame Bovary, who also longed to escape an austere life. After all, Hollande hails from Rouen, the very city that plays host to Madame Bovary’s adulterous affair with Léon Dupois. It is at Rouen cathedral that Emma Bovary initially resists Léon’s amorous advances — that is, until he hails a cab, bundles her in, and evidently employs some persuasive behaviour while they are snugly ensconced. Famously, all that emerges from the carriage

In a Greene shade | 26 May 2012

One of the unanticipated benefits of British rule in India is the body of distinguished writing in the English language coming from the Indian diaspora — Naipaul, Seth, Rushdie, Mistry, Mishra and Pico Iyer. Iyer, however, is atypical in that he was born in Oxford, lived in California, and was educated at Eton and Oxford. Thus he is less an Indian than a global author. He is coy about having been to Eton, which he does not name: it is the ‘high school near London’, ‘somewhere between the grey towns of Slough and Windsor’, which was founded by a king, has the oldest classroom in the world, and has provided

Hero of his own drama

Sam Leith is enthralled by the larger-than-life genius, August Strindberg — playwright, horticulturalist, painter, alchemist and father of modern literature When I’m reading a book for review, it’s my habit to jot an exclamation mark in the margin alongside anything that strikes me as particularly unexpected, funny or alarming. I embarked on Strindberg: A Life with — I’m ashamed to confess — the expectation of a weary plod through 400-odd pages of lowering Scandinavian neurosis, auguring a low exclamation-mark count and a high number of triple zeds. But by the end, there was an exclamation mark beside almost every paragraph. If it hadn’t been for the occasional ‘hahaha’ and ‘bonkers’,

Abiding inspiration

In 1971 looking back over his life, Lionel Trilling (1905-1975) declared himself surprised at being referred to as a critic. Certainly his plan when young had been the pursuit of the literary life, ‘but what it envisaged was the career of the novelist. To this intention, criticism, when eventually I began to practise it, was always secondary, an afterthought: in short, not a vocation but an avocation.’ As Adam Kirsch comments, in his timely, incisive, succinct study, this admission was made when Trilling was ‘the most famous and authoritative literary critic in the English-speaking world.’ His volumes of critical essays, beginning with The Liberal Imagination (1950) — which sold 70,000

Making sense of a cruel world

The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have made a useful addition to what he rightly identifies as the ‘tsuanami’ of books that are appearing for Dickens’ bicentennial. But in this cursory biography, he merely makes token gestures in that direction: we learn rather a lot about Charles Mathews’ one-man shows; and Callow describes the theatrical impulses behind some of the novels. But

The truest man of letters

In 1969 an author in his early thirties published his first book. The Rise and Fall of the Man of Letters won the Duff Cooper prize, delighted the reading public, introduced them to the name of John Gross, and marked the beginning of what would be an illustrious and fascinating literary career. It ended with his death on 10 January 2011, a great sorrow for the many people who loved and admired John. A year ago, copious tributes were paid to this remarkable man, as writer, editor, critic, friend, which I wished I had joined in. He was the best-read man in the country, said Victoria Glendinning, or for Craig

S is for Speculative

Margaret Atwood has written 20 novels, of which three (The Handmaid’s Tale, Oryx and Crake and The Year of the Flood) are science fiction. Indeed, the first— and far the best of them — won the inaugural Arthur C. Clarke award, Britain’s chief prize for books in the genre. She has, however, long resisted any description of her work as science fiction, for which she was mildly upbraided by Ursula K. Le Guin a couple of years ago. Le Guin wrote that Atwood’s distinction between her own novels, which she maintains feature things which are possible, and may even have happened already, and SF, in which things happen that aren’t

England from above

It is a shame that Sir Roy Strong is subjected to the now-obligatory drivel about his being a ‘national treasure’, because this unthinking cliché diminishes his contribution, over more than 50 years, to our cultural life, whether as a curator or, in later times, as a gardener. Sir Roy has also written a number of books, and in his preface to this one describes his mission to bring the past of our country before a general readership. His last, A Little History of the English Country Church, certainly furthered that aim: it described how our shared past could be discovered by looking in these buildings. In this book, Sir Roy

When the going got tough

The acute emotional pain caused by his first wife’s infidelity was of priceless service to Evelyn Waugh as a novelist, says Paul Johnson Evelyn Waugh died, aged 62, in 1966, and his reputation has risen steadily ever since. His status as the finest English prose-writer of the 20th century is now being marked by an annotated complete edition of his works, sumptuously published by the Oxford University Press. As a prolegomenon, Penguin is issuing another complete edition in hardback, the first eight volumes of which are now available, priced £20 each. They include his life of Rossetti, three travel books, Labels, Remote People and Ninety-two Days, and his first four

A haze of artifice

Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow poets. This means, in fact, he writes for his fellow poets.’ Certainly Auden’s The Age of Anxiety, which was first published in 1947,

A heart made to be broken

Very useful in modern conversation, Oscar Wilde. Not for the quotable quips — everyone knows those already. His real value comes when you’re trying to guess someone’s sexuality. ‘He can’t be gay,’ someone will say of whoever is under the microscope, ‘he’s married with two kids.’ You hit them with the reply: ‘So was Oscar Wilde.’ It’s hardly surprising that so many people are unaware of Mrs W’s existence, or that those who do tend to forget about her, given her husband’s status as poster boy for the Two Fingers to Convention party. You’d be forgiven for thinking that Oscar was a Victorian Alan Carr, standing in the middle of

Honour the most exalted poet

What’s your punishment going to be, when you get to Hell? At least as envisaged by Dante, you might be somewhat surprised. Hitler (mass murderer) is in the outer ring of the seventh circle, up to his eyebrows in a river of blood and fire. Still, that’s a little better than the innocent manager of your local HSBC (banker), who is in the inner ring, running perpetually on burning sand. Both get off much lighter than the poor lady who, the other day, told me how much she’d enjoyed something or other I’d written (flatterer). She’s a whole circle lower down in the second bolgia, or pit, sitting in excrement

The Russian connection

It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. I began it on the train; barely had I started before my involuntary yelps of hilarity were causing alarm amongst my fellow passengers. An elderly man moved to another seat after I came upon Batuman’s description of the time she found herself judging an adolescent boys’ leg contest in Hungary. Fortunately, perhaps, I arrived at my station before

. . . or sensing impending doom

‘What am I? A completely ordinary person from the so-called higher reaches of society. ‘What am I? A completely ordinary person from the so-called higher reaches of society. And what can I do? I can train a horse, carve a capon, and play games of chance.’ So reflects Botho von Rienäcke, the central character of Theodor Fontane’s novel of 1888, Irrungen, Wirrungen (newly translated as On Tangled Paths). His bitter self-examination is a consequence of his predicament. Like many a fellow officer, he has taken up with a working-class girl. He met her on a boating trip when he came to her rescue from an accident in the water. The

Cuckoo in the nest

Caradoc King, the well-known literary agent, was adopted in 1948 as a baby into a family of three girls, shortly joined by a fourth, presided over by a difficult, unhappy mother and her feebly adoring husband. He grew up unaware of the adoption and has never discovered its motive. His adoptive mother, Jill, the moving spirit behind every family decision, may have simply longed for a boy. If so, she was singularly ill-prepared for standard boyish delinquencies. Young Carodoc liked playing with matches, embroidering the truth, and inspecting — in a spirit of scientific enquiry — the private parts of his younger sister. This memoir describes King’s upbringing in a

BOOKENDS: Hang the participle

An awful lot of books are being published these days about the English language. David Crystal has a new one out every few weeks, and John Sutherland probably has half a dozen on the go. The Language Wars: (John Murray, £17.99) is Henry Hitchings’s third and unlikely to be his last. An awful lot of books are being published these days about the English language. David Crystal has a new one out every few weeks, and John Sutherland probably has half a dozen on the go. The Language Wars: (John Murray, £17.99) is Henry Hitchings’s third and unlikely to be his last. Previous books have been described as ‘chewy and

Sam Leith

Names to conjure with

Golly gee. Academic literary critics are going to hate Faulks on Fiction like sin. Here is Sebastian three-for-two Faulks, if you please, clumping onto their turf with a book of reflections on a couple of dozen great novels. And he declares in his introduction, with some pride, that he intends to take ‘an unfashionable approach’ and examine characters in these books ‘as though they were real people’. And he then divides them into four character types — Heroes, Lovers, Snobs and Villains — without so much as footnoting a structuralist ethnographer, instead declaring ex cathedra that these are ‘the four character types that British novelists have returned to most often’.

Nowhere becomes somewhere

There have been quite a few anthologies of British eccentricity. Usually they are roll-calls of the lunatic: a sought-after heiress so snobbish she finally gave her hand in marriage to a man who had managed to convince her he was the Emperor of China; a miser so mean he would sit on fish until he considered them cooked; a man so addicted to cobnuts he would, after any long coach journey, be up to his knees in their shells. Men who refused to get into a bath, others who refused to get out of one, or were so quarrelsome they could spot an insult at 100 yards, others who so

Life & Letters: Memoirs as literature

Laurence Sterne remarked rather a long time ago that they order these matters better in France, and happily this is still the case. Fifteen hundred teachers of literature recently protested about the choice of a set book for Terminale L du bac — the exam taken by 17-year-olds. Their concern is perhaps more political than literary. Nevertheless they denounced the choice of book as ‘a negation of our discipline’. ‘We are teachers of literature,’ they said; ‘is it our business to discuss a work of history?’ Laurence Sterne remarked rather a long time ago that they order these matters better in France, and happily this is still the case. Fifteen