Mary magdalene

Is there a patron saint of conjecture? Perhaps it is a name known only to Bible scholars, who have rich cause to guard it jealously. Even if such a saint is invoked by the academy alone, the petitioning must be pretty constant. Lucky, then, that this account of the early female followers of Jesus is jointly authored, for it takes more than one person to dream up the vocabulary required for 200 pages of guesswork. As Joan Taylor and Helen Bond admit in their introduction: ‘Sometimes there’s not much to go on and we’ll need to use our imaginations.’ In the 184 pages which follow, we find all the usual

The gnostic Gospel of Mary has long been the subject of controversy, even as to which of the several Marys who feature in Jesus’s life was its author. It is generally assumed to have been Mary Magdalene, not least because it depicts her regular adversary, St Peter, refusing to credit a woman’s testimony. In Names of the Women, Jeet Thayil challenges Peter, along with 2,000 years of church tradition, by placing Mary Magdalene and 14 other women at the very heart of the gospel story. His intention to retell pivotal incidents from a female perspective is evident from the opening words ‘Mary, write,’ which are repeated in various forms throughout

It is always interesting to see what art historians get up to when none of the rest of us is looking. It is hard to know what the inspiration for The Mummy’s Foot and the Big Toe can possibly have been, but if this very short book offers the kind of approach that will go down well in the enclosed world of the academic conference, Alan Krell might find the common reader a tougher nut to crack. Having said that, however, those with a taste for such things will probably find plenty to enjoy in a book that ranges from the bare foot as symbol of freedom to the foot

‘If you look at walls soiled with a variety of stains or at stones with variegated patterns,’ Leonardo da Vinci advised fellow painters, ‘you will therein be able to see a resemblance to various landscapes graced with mountains, rivers, rocks, trees, plains, great valleys and hills in many combinations.’ By an irony of history, Leonardo (1452–1519) has come to resemble that stained wall: a Rorschach blot in which viewers discern phantoms of their own imagination. This is, of course, to some extent the fate of all celebrities, and Leonardo was the first true artist celeb — the forerunner of a long line descending through his younger contemporaries Michelangelo and Raphael

‘Gentlemen prefer blondes,’ Anita Loos pronounced, ‘but gentlemen marry brunettes.’ Quite what they do with redheads she never revealed (and I’ve often wondered), but with Red: A Natural History of the Redhead, Jacky Colliss Harvey sets out to discover everything — what it takes to make a redhead, where in the world they come from and why they exist at all; whether redheads are actually different or just treated differently; how they got their reputation, what that reputation might be and whether they deserve it. The history begins some 40,000 years ago, we are told, when the gene for red hair was carried from ‘the grasslands of Central Asia’ to