Laura Freeman Laura Freeman

The life of Artemisia Gentileschi is made for Netflix, but it’s the art that really excites

‘I’ll show you what a woman can do’: Laura Freeman goes in search of this feminist heroine, survivor of abuse, canny player of the art market and bravura painter

Pleasure triumphant: ‘Mary Magdalene in Ecstasy’, c.1620–25, by Artemisia Gentileschi — and possibly a self-portrait

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in