New york

Thursday

Bryan Appleyard

A mystery, even to herself

Armed with their tiny Leicas and Nikons, most of the great postwar ‘street’ photographers liked to be unobtrusive; they wanted to capture life unobserved. Garry Winogrand and Henri Cartier-Bresson haunted the city in search of the ‘decisive moment’. Somebody I know was photographed by Robert Doisneau, a very ghostly snapper. Doisneau entered the room and then left. His subject was baffled; he had not seen him take any shots at all. And then along came Diane Arbus. She was small but very noticeable, partly because of her childlike good looks but mainly because of the big flash and brick-heavy and breeze-block-sized Rolleiflex or Mamiya slung round her neck. She asked

Friday

James Delingpole

RIP Leonard. You were my man

Everyone has a special place in their heart for the late Leonard Cohen – from his 80-something contemporaries to middle-aged musos to teenage girls. The last – quite unusual for an artiste of Cohen’s generation, especially one so apparently glum, uncommercial and downbeat – is largely thanks to his composition ‘Hallelujah’, which was what Alexandra Burke sang to win the X-Factor final in 2008.  It was memorably covered for Generation X by the doomed Jeff Buckley in an angelic rendition on his 1994 album Grace. Oh and also it appears in a very sad moving scene in Shrek. And it’s not even Cohen’s best song. Cohen himself thought little of it

Thursday

Taki

High life | 20 October 2016

New York  Antonio Cromartie is one of the numerous professional and amateur athletes in America who now refuse to stand during the playing of the national anthem. Cromartie plays for the Indianapolis Colts and makes over three million greenbacks per annum. He refuses to stand as a protest at white America’s oppression of black America. (The refusal to stand was started by another black football player, who makes even more money and who was adopted and lovingly brought up by a white couple.) Cromartie, you see, is the father of 12 children by eight women. He has been chased around by various agencies because he has not been rigorous in

Thursday

Taki

High life | 13 October 2016

New York   This is a good time to be in Manhattan, the weather’s perfect, the park and foliage still green, and daylight savings time keeps the days long. New York used to be able to build these beautiful cities within a city, like the Rockefeller Center, but that’s all in the past. The developers have got to the politicians and now have free rein. The city had an opportunity after 9/11 to make a 21st century Rockefeller Center downtown, but a shark by the name of Silverstein preferred profit to architectural achievement, as did another horror, Aby Rosen, who is busy turning uptown ugly. I’ve been walking up and

John Gimlette

New York: Dives of the artists

Fernand Léger’s old studio now has squatters living on the doorstep. They’re an unusual sight in the new New York, especially around Bowery. These ones, at no. 222, are African and live in a huge cardboard box decorated with industrial plastic. As a pioneering modernist, Léger would have appreciated their geometry — and poverty. He’d have been less sure about the building opposite: the New Museum of Contemporary Art. It’s covered in silvery mesh, and looks like a giant speaker with a fishing boat dangling off the top. How, he might wonder, had art become so extravagant and obscure? Poor Léger, he needn’t worry. Styles may have changed, but the

Thursday

Taki

High life | 6 October 2016

New York Back in the Big Bagel once again preparing for the greatest debate ever, one that will decide the fate of the western world once and for all. In the meantime, the mother of my children is doing all the heavy lifting back in Gstaad, moving to my last address ever, that of my new farm, La Renarde. One of those American feminists remonstrated with me not long ago for making some chauvinist remark — on purpose, I might add —just to get her goat. My, my, how easy it has become to get that goat. In a 1939 film, Dodge City, Errol Flynn plays a Kansas marshal circa

Thursday

Martin Gayford

American beauty | 29 September 2016

‘At last,’ wrote Patrick Heron, a British painter, in 1956, ‘we can see for ourselves what it is to stand in a very large room hung with very large canvases by Jackson Pollock, Willem de Kooning, Mark Rothko, Clyfford Still, Franz Kline and others.’ Just over 60 years later, we, too, can stand in a series of grand galleries at the Royal Academy’s Abstract Expressionism and see what Heron saw, and much more. He was at the (greatly anticipated) first showing of those fabled American artists in Britain. Since then, they have frequently been exhibited individually, but there has been just one collective show of the movement. Now Pollock, de

Tuesday

Michael Karam

The Middle East could teach America a few things about ‘terror’

I was a little less than three blocks away on West 26th street when I heard the blast. Twenty-two years of living in Beirut had taught me to wait for the sirens before becoming concerned. And they came, distant at first, and then louder, followed by the clatter of a helicopter. But the New Yorkers enjoying the pop-up food court in Madison Square Park on that balmy Saturday night didn’t appear to be panicking. Neither for that matter was CNN, which was covering the Black Caucus Foundation in Washington, attended by both President Barack Obama and the Democratic presidential nominee Hillary Clinton. It would be an hour before it broke the news that an

Thursday

Roslyn Sulcas

Let the good times roll

For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability of a Christmas Nutcracker. Superb dancers, Ailey’s sublime Revelations, jubilant audiences, stirring evocations of African-American identity: it’s easy to begin to take these things for granted. When you haven’t seen the Ailey company for a while, a season packed with these riveting dancers is a newly wondrous thing, a fresh discovery of the particularity that makes the troupe both a cultural and historic phenomenon. The company’s Sadler’s Wells Theatre season, which opened on the 6 September and runs through to the 17th, is the start of a six-week UK tour.

Ariane Sherine

One long moanfest

Tama Janowitz’s memoir is a relentlessly cheerless and bitter collection of vignettes. Between tales of her purportedly miserly, creepy and emotionally manipulative father, who suggests that Janowitz enter a wet T-shirt contest aged 15, and her estranged and vicious brother, who tries to sue her despite he being rich and her virtually penniless, the Janowitz clan are portrayed as singularly defective. Struggling to care for her mother, who suffers from dementia (‘My mother is lying on her side with her diapers full of shit’), and fretting about her own teenage daughter, who regularly smokes marijuana, Janowitz is convinced that Tolstoy is wrong and no family is truly happy — though

Thursday

Harold Evans

Diary – 8 September 2016

At weekends in our summerhouse at Quogue on Long Island, we go out to buy the newspapers and paper-cup coffee at the busy 7-Eleven in Westhampton. Several brisk young Hispanic women serve the long line of customers. Nobody mentions Donald Trump, though his latest vomit about deporting everyone like them is often on the front pages of the papers they hand us. The hurt and angst it must inflict may be mitigated somewhat in New York by the moral clarity of the city’s Daily News editorials blasting Trump as ‘un-American’, and the music video ‘Amnesty Don’, a spoof western mocking his talk of ‘going soft on immigration’. To the rage of

Thursday

Francesca Steele

The Allen way

Woody Allen has made a film nearly every year in the four decades since the release of the award-winning Annie Hall. Every one is hailed as a potential return to form, and of course some definitely are. Blue Jasmine, say. Possibly Midnight in Paris. How do the late-era Allens compare with the earlier ones? It’s an increasingly tricky question to answer the more prolific the writer/director is. However, perhaps a more useful question than ‘how good is it?’ is ‘will you actually enjoy Café Society?’, his latest. And the answer, most probably, is ‘Yes’. Woody Allen is banking on the amiable, half-witted quality of this latest work, enveloping audiences in

Thursday

Mark Palmer

In defence of dinner parties

In or out? Almost two months on and I’m afraid the great debate shows no sign of abating, certainly not in our divided household. And while we’ve had several referendums over the matter, the result is always a stalemate. The only upside is that this argument has nothing to do with Brussels. It’s far more rudimentary. The battle in Palmer Towers is whether we eat in or out when wanting to see friends. My wife Joanna — who, as it happens, was for In over the country’s EU membership — is a firm outer, while I, who voted Out on 23 June, am a determined inner. As with the EU

Friday

Tom Goodenough

Summer of bloodshed continues after latest police killing in the US

Once again, an American police officer has been killed in the line of duty. This time, a policeman in San Diego was shot dead, and his colleague wounded, in a gun attack which happened after the two officers stopped a car. It is, of course, too early to tell exactly what happened, but the horrific pattern makes one thing clear: police in America are increasingly becoming a target. The latest senseless killing caps off one of the bloodiest months ever for police officers in the US. On July 17th, three police officers were killed in Baton Rouge, Louisiana, in a targeted shooting which left three others injured. Just ten days before,

Thursday

Taki

High life | 9 June 2016

Shelter Island is nestled in the Long Island Sound, ten minutes by ferry from Sag Harbor and a good 30 from the horrible Hamptons with its Porsches, mega-mansions and celebrity trash. It is where, on my last week in the Big Bagel, I was taken back to the Forties and Fifties for a weekend. Shelter Island is what the Hamptons used to be: tranquil, beautiful, rustic, unspoiled, with lovely ponds bordered by shady oaks and maples. The pace slows the minute you get off the ferry and step into the peaceful enclave. There are forested hills, secluded coves and quiet beaches. The sea is hardly the Mediterranean, but there are

Thursday

Tom Hollander

One night in the backwoods

When I was 38, I let a drunk pick me up in a bar. You know, just to see if I still had it. It was raining. It was a November evening, and I was somewhere in the backwoods of the Adirondacks. I was driving from Rhode Island to Toronto, staying in motels. Taking my time. Getting lost. His name was Billy Ray and he was from the south. The land of Spanish moss and blurred boundaries and antique sentences delivered in a languid drawl. Beautifully dressed, an elegantly ruined bachelor of 48, he looked 65. He said he was related to the man who had invented Coca-Cola and had

Thursday

Stephen Bayley

The great pretenders

There is fakery in the air. And maybe the French are done with deconstruction. A drone operated by a French archaeology consultant called Iconem has been languidly circling Palmyra, feeding back data about the rubble with a view to reconstructing the ruins and giving the finger to Daesh. Cocteau said he lies to tell the truth. Iconem flies to tell the truth. In April, an exhibition called The Missing: Rebuilding the Past opened in New York which examined ‘creative means to protest preventable loss’. It was timed to coincide with the temporary erection of a frankly underwhelming two thirds-scale replica of the Palmyra Arch in Trafalgar Square, London. It goes

Thursday

Deborah Ross

Memories, dreams, reflections

Heart of a Dog is a film by Laurie Anderson and it’s a meditative, free-associating rumination on life, loss, love and dogs, with particular reference to her and her late husband’s (Lou Reed, who died in 2013) beloved rat terrier, Lolabelle (who died the same year). It follows no linear logic. It’s a visual collage, a cine-poem, a dreamy documentary essay that was screened in London earlier this week to owners and their dogs — to rave reviews. ‘It’s great!’ said a golden retriever, but as he said the same of ‘a ball’ and also ‘a pizza crust’, he may not be the most reliable of critics. (This is why

Thursday

Taki

High life | 12 May 2016

New York It was the best of times — downtown — and the worst of times — uptown. Let’s start with the horror near the park: cranial atrophy, unrelenting grossness, overarched and overgrown eyebrows, posterior-baring bondage outfits, and de haut en bas attitudes were the order of the night. Never has a museum site been more desecrated by a freak show, and the Met — maybe the best museum in the whole wide world — should be ashamed of itself. A great institution such as the Met always needs funds, but allowing a freak show of publicity-starved clowns is not the answer. Let’s take it from the top. The Metropolitan

Thursday

Taki

High life | 5 May 2016

   New York I went downtown to Katz’s the other day and had a pastrami sandwich that made me want to shout. God, it’s good to be bad and eat bad, but not necessarily act bad. That’s the trouble nowadays. People take care of their health, eat properly, exercise obsessively, do mental gymnastics such as crossword puzzles, and then go out and act like slobs, use the F-word non-stop and talk with their mouths full. If I hear one more time that 60 is the new 40, I will punch the first octogenarian, male or female, who crosses my path. Some buffoon who recently took up tennis has written a